Play Smart a series of yearly events where photographers and designers are gathered and designed cards to trade. It has lasted from 2010 to this year. Play Smart 2010 is the first in the series. In 2010, Play Smart featured photographers Aaron Cobbett, inkedKenny, Greg Mitchell and Slava Mogutin and was designed by John Chaich.
The Photoshop action — a downloadable file that applies an action with a single click — is aimed at art directors who may be creating such ads. The action, which was disseminated on Reddit and other places where Dove thought such art directors might visit, promised to add a skin glow effect, but actually reverted the image to its original state.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message.
In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.
Design4Peace is a collection of political posters created by Leslie Dwyer. Images speak to issues of war and peace, prisons, solidarity and movement, immigration, economy and class, violence against women, ecology, agriculture, racism, and gender. Leslie works with movement and educational organizations, such as Veterans for Peace and Teaching for Change to support their work visually.
Greenpeace advocates displayed a banner outside of the Ministry of the Environment in Warsaw. The banner reads "I love primeval forests" to protest against tree felling in Bialowieza Forest.
Protesters dressed as construction workers wearing hard hats and scaling the Ministry of the Environment building on harnesses.
The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together.
Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
The Partnership for Drug-Free Kids, a national nonprofit dedicated to reducing substance abuse among adolescents, launched a new multimedia campaign for teens that uses emojis to communicate the challenges of negative influences, empowering them to live Above the Influence.
publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.
Ricardo Levins Morales is an artist and organizer based in Minneapolis, Minnesota. He was born into the anti-colonial movement in Puerto Rico, and when his family moved to Chicago in 1967, he became interested in activism. After leaving high school early, he worked in various industries and began to use art as part of his activism work.
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
John Heartfield began to make photomontages as a member of the Berlin branch of international Dada around 1920. Schooled in graphic arts and having worked briefly in animated film, Heartfield (who had anglicized his given name, Helmut Herzfeld, in 1917 as a protest against wartime nationalism) subsequently developed a cinematic effect in montages that he made for book illustration.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
In Shanghai, a vigil grew into a street protest where many held blank sheets of white paper in a symbol of tacit defiance.
In Beijing, students at Tsinghua University raised signs showing a math equation devised by the Russian physicist Alexander Friedmann, whose surname in Chinese is a homonym for “free man.”
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