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The Search for Identity in a Country of ‘Disappeared’ By Marcela Valente ‘Theatre for Identity’ is the theme of a novel undertaking in the Argentine capital, where 41 plays are being put on every Monday in 14 theatres.

There was once a time when Israeli songs like A Matter of Habit were routinely written, aired and became hits. These were songs of political commentary or protest, songs of hope and idealism. They represented the aspirations of Israel's secular liberal (generally Ashkenazi) elite. But that was long ago.

Women in China are covertly resisting government crackdowns on discussions over their Me Too movement with a clever workaround. The phrase “rice bunny” (米兔), pronounced as “mi tu,” has popped up on social media networks after censors removed posts that mentioned sexual harassment or the hashtag #MeToo. While those phrases are heavily monitored, Rice Bunny isn’t.

Lysistrata, by Aristophanes, was first performed in Athens in 411 BC. The play, while fictional, can be read as an early example of creative activism. It is about Lysistrata's quest to end the war between Athens and Sparta. She gathers the women of Athens and makes them swear an oath to deny their lovers and husband sex until they end the war.

The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.

When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.

Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.

Julia Bluhm told The Huffington Post: “I’ve always just known how Photoshop can have a big effect on girls and their body image and how they feel about themselves”. So on May 2, 2012, 14-year-old Bluhm lead an anti-Photoshop protest in front of the Hearst Tower, which is home to Seventeen Magazine. Other protesters included her mother and members of the SPARK movement (Sexualization Protest: Action, Resistance, Knowledge).

There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984. Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.