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Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”

The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.

from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and revolution. Maybe it is the features they share: freedom, deviance and fluidity, which bring them so close together. In any case, Egypt’s January 25 Revolution undeniably led to a surge of creativity across the country; a rebel’s passion merges with an

Call to Artists All of us or None: Reponses and Resistance to Militarism--http://afsc.org/poster From Ferguson to Gaza, we can see the way that militarism has a direct impact on the lives of all of us.

A short documentary about Artist Stephen Sheehan's performance called 'Weighed down by a cushion' performed at Liverpool One. The footage contains views from the public captured during the performance.

Abandoned buildings have become such a common sight that they often slip quietly into the backdrop of our cities like an accepted part of our landscape. Looking for Love Again is a participatory public installation that renews attention to an abandoned high-rise in downtown Fairbanks, Alaska to celebrate its past and future.

When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.

Taken from the website: Dyke Action Machine! (DAM!) is a two-person public art project founded in 1991 by artist Carrie Moyer and photographer Sue Schaffner. Between 1991 and 2004 DAM! blitzed the streets of New York City with public art projects that combined Madison Avenue savvy with Situationist tactics.

"Fallen Fruit invites the public to bring homegrown or street-picked fruit and collaborate with us in making a collective fruit jams. Working without recipes, we ask people to sit with others they do not already know and negotiate what kind of jam to make: if I have lemons and you have figs, we’d make lemon fig jam (with lavender). Each jam is a social experiment.