“My image was inspired by the #MeToo Revolution, my personal experiences with the male gaze and a healthy amount of frustration and repulsion. What I hope to convey in this image is the sense of verbal, physical and energetic male ownership that is placed on women in society.”
— Beata Kruszynski is a freelance illustrator and art teacher in Ontario, Canada.
Drag Out The Vote™ is a nonpartisan, nonprofit organization that works with drag performers to promote participation in democracy. We educate and register voters at drag events online and offline, by organizing local and national voter activations. Led by fierce drag kings and queens across the nation, we advocate for increased voter access and engagement in 2020 and beyond.
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.
Eugene Lee Yang is an actor, filmmaker, producer, author, dancer, and digital content creator from Pflugerville, Texas. He received his education at the University of Southern California, and is most known for his contribution to the popular Youtube group, The Try Guys.
On September 2nd 2015, a die-in protest to advocate against gender violence was carried out by a group called Women in Black (Olmedilla, 2015). This form of protest was likely inspired by other die-in protests in Spain and represented Spanish women who have died due to domestic violence (DV). A group of women dressed in black clothing gathered on the streets of Madrid. One by one they fell to the ground and lay there, acting dead.
The 14th day of June each year is celebrated as Flag Day, and in 2017 it was no different save for the fact that the project took center stage. The celebrations kicked off with hoisting the resist flag, a creation by Marilyn Minter on the rooftop of the 4th street headquarters of Creative Time.
Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.
In the Si 8 Do project, Seville activists convened in a neglected barrio during the Euromediterranean Conference on Sustainable Cities, which was taking place in Seville.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
In 2020 Noname, a Chicago rapper, activist, and poet, released the single titled "Song 33" to address racism in America and the Black Lives Matter movement. She specifically raps about the killings of George Floyd and Black Lives Matter activist Oluwatoyin Salau, singing, "A baby just 19/I know I dream all black/I seen her everything immortalized in tweets, all caps/They say they found her dead," she raps.
"To that end, in the Spring of 2014 we launched the Chasing Ice Ohio Tour in an attempt to use the film to shift the political conversation around climate change. As a society, for us to address climate change properly, we need our leaders in Washington to stop debating about whether or not it is actually happening and start taking action.
Denes's project "Tree Mountain-A Living Time Capsule" in Finland is a monumental earthwork involving the planting of 11,000 trees by 11,000 people on a reclaimed gravel pit. It's designed to grow over the next 400 years, serving as a testament to environmental stewardship and the potential for regeneration.
“It could have been me,” Jean-Michel Basquiat would say at the mere mention of the untimely death of Michael Stewart. Stewart, a 25-year-old artist, was allegedly drawing on the walls of the subway on 15 September 1983 when he was approached by transit cops who then placed him under arrest.
Following the backlash of Netflix's support of Dave Chappelle's "The Closer" comedy special, which featured racist transphobic "jokes", Hannah Gadsby took a deal with Netflix to create a comedy special featuring genderqueer comics. The show, titled 'Gender Agenda', was tapped in the Alexandra Palace Theatre in London and released on Netflix on March 5, 2024.
A woman’s head is bisected by a line that splits her face into positive and negative halves. Over the image, a commanding text, stated in the second person, reads: “Your body is a battleground.”
Native American groups are expected to protest the Kansas City Chiefs on Sunday, calling for the AFC champions to drop their name and logo as they take on the Philadelphia Eagles in Super Bowl 57.
The Chiefs wear the arrowhead logo on their helmet and use a large drum to kick of their home games, as fans routinely engage in what’s known as the “tomahawk chop” chant, all of which critics say draw on offensive and racist stereotypes.
Breaking the Silence: The Importance of Mustang
Eylem Atakav on how Mustang offers an important challenge to perceptions of gender and female sexuality in Turkey.
As Deniz Gamze Ergüven's acclaimed debut film Mustang screens at the ICA, Eylem Atakav discusses gender and female sexuality in Turkey, looking at the importance of film in making women's experiences visible and changing perceptions.
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
UK photographer Alicia Bruce collaborated with Zero Tolerance, a Scottish non-profit to end GBV, to produce a new version of the Violence Unseen campaign, launched for the first time in the 1990s and created by Franki Raffles. The new one was launched in 2018, 25 years after the original iconic Zero Tolerance campaign, shot by the late Franki Raffles.
Birds Watching I, 2018 was created for Storm King Art Center's Indicators: Artists on Climate Change, in partnership with NRDC, which ran from May–Nov 2018, and featured 100 U.S. climate-threatened species derived from Audubon's first report. That work was reinstalled as a public sculpture in Chicago on the elevated 606 Bloomingdale Trail between St. Louis Ave. and Kimball Ave. and is fully-accessible via the Spaulding Ave. ramp.
Climate activists took to the iconic “Charging Bull” sculpture in Manhattan’s Financial District on Earth Day today, April 22, to call out Wall Street’s “bullshit” in the face of a worsening environmental crisis — quite literally, by installing a display of fabric feces descending onto a rendering of planet Earth at the rear end of the 11-foot-tall bronze bull.
Shooting Without Bullets incubates young artist activists and eliminates systemic barriers in art and society for Black and Brown youth, all while spreading bold messages of justice and equity across Northeast Ohio and beyond. In Our DNA, their new public art initiative, uplifts Cleveland’s Black history to catalyze present and future racial equity, social justice, and civic engagement efforts across Cleveland communities.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
As the audience enter, Olivier de Sagazan is pacing the stage, deep in thought. A slight, barefooted figure dressed in suit and tie, he circles in and out the shadows, head bowed, sometimes muttering to himself. As the audience settle and hush, his footsteps gradually become more audible (the floor is mic-ed) and begin to pound like a calling drum.