Marina Abramović is the synonym for performance art. Throughout their career, she has constantly pushed her way through endurance art and further pushed the boundaries of the artist's role in the audience. One of the most compelling and exciting works is "The Artist Is Present," which she presented at the Museum of Modern Art in New York.
On Sunday morning, a puffy, Michelin Man-like figure trudged through Times Square in New York, panting from the exertion of trying to move while wearing 27 hazmat suits.
Inside the white cocoon was Zhisheng Wu, a Chinese artist who staged the street performance to criticize China’s unrelenting zero-Covid policy.
Untitled (Your Body is a Battleground) is an iconic 1989 silkscreen portrait made by artist, feminist and activist Barbara Kruger .
Though the poster was meant for the pro-choice march on April 9th, 1989, in DC, the portrait is now used mainly to voice the artist’s own opinion about gender inequality. The piece is much more relevant in today’s society, where it controls the way we view and treat women’s bodies.
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
The “Occupy Men’s Toilets” movement, initiated by Chinese feminist activists including Li Tingting (Li Maizi) and Wu Rongrong, emerged in 2012 as a creative, non-violent protest against gender inequality in access to public facilities.
Female staff members at a new shop in Osaka, Japan are being encouraged to wear badges to indicate when they’re on their period to tackle the stigma surrounding menstruation in the country.
Women working at the Michi Kake store, which sells an array of female sexual and menstrual health products, do not have to take part in the scheme, but those that do will pin one of the “period badges” next to their regular name tags.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
Dressed head to toe in plastic, Modou Fall is a familiar sight in Dakar. But however playful his costume, his goal couldn’t be more serious: ridding the capital of the scourge of plastic bags.
In a collaboration with fellow artist @vyalone on Instagram, Lucinda Hinojos or La Morena as the artist is known recently completed this mural in Phoenix which showcases the Native American culture of the people indigenous to the area. La Morena said in a post about the project on Facebook, "This mural is about reclaiming space, reclaiming our roots, our identity and finding our truth.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action.
Concept
1. This is a participatory art action initiated by Action Office, aiming at questioning current democratic elections in Singapore and shaping an alternative possibility.
2. Design the pocards to resemble ballots, inviting people to fill out election results and mail them to the corresponding country’s polling stations or current government.
This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.
Henry Taylor (born 1958) is an American artist and painter who lives and works in Los Angeles, California. He is best known for his experimental figurative paintings and exploration of contemporary and relevant historical social issues. Taylor rewrites art history, often with art historical references, to amplify Black people who have been overlooked or undermined by the canon and systems of power and control.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
Björk and the French artist Aleph have collaborated on an immersive, AI sound piece that recreates extinct animal calls, set to run at the Pompidou Centre, in Paris, from November 20 until December 9. It will play as visitors travel on escalators in the art museum, as part of its “Biodiversity: Which culture for which future?” forum.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
On December 1, 1994 also known as World AIDS day, participating members from LSD (Lesbianas Sin Duda), La Radical Gai, and other allies sought out to protest against the push back of rejection that many of them were receiving from the medical and social perspective.
The Center for the Study of Political Graphics and the Esperanza Community Housing Corporation have combined forces to bring 75 powerful and engaging poster works on broad issues of health care to audiences traditionally excluded from the art world in Los Angeles and elsewhere. Both organizations have been in the forefront of social change for three decades.
CAIRO — Seven Egyptians were arrested on charges of promoting homosexuality after concertgoers waved rainbow-colored flags at a rock concert in Cairo last week, Egyptian officials said.
The arrests were the latest assault on social freedoms in Egypt under President Abdel Fattah el-Sisi, whose government has imposed harsh restrictions on free speech and led an aggressive campaign against gays.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.