Projects tagged "Shifts (culture)"

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"Work-from-home lawyers and museum staff convened by webinar on 11 and 12 March, for an annual conference on Legal Issues in Museum Administration, hosted by the non-profit American Law Institute with the support of the Smithsonian Institution. This year’s focus was decidedly shaped by the Covid-19 pandemic, which has squeezed museums financially and pushed ever more museum activity into the digital realm.

For more than 20 years, Metronome, which includes a 62-foot-wide 15-digit electronic clock that faces Union Square in Manhattan, has been one of the city’s most prominent and baffling public art projects.

Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.

The global response to COVID-19 has made clear that the fear of contracting disease has an ugly cousin: xenophobia. As the coronavirus has spread from China to other countries, anti-Asian discrimination has followed closely behind, manifesting in plummeting sales at Chinese restaurants, near-deserted Chinatown districts and racist bullying against people perceived to be Chinese.

In 2020, GLITS raised over one million dollars in less than a month through a grassroots organizing campaign with a clear objective, a call to action, and an open source toolkit. The objective was to raise one million dollars to purchase a building that would permanently house and provide services for transgender peoples of color in New York City. They created a toolkit with coordinated and captivating imagery and made it available to everyone.

On Tuesday, Mark Zuckerberg said in a Facebook post that the platform is working to remove coronavirus conspiracy theories and elevate information from credible organizations like the World Health Organization (WHO), Centers for Disease Control and Prevention (CDC), and UNICEF.

A widespread but illegal campaign by a group calling itself “the Gluers” uses posters to denounce violence against women. It has become an effective — and ubiquitous — tool to raise awareness. On a recent mild night, a squad of four young women wandered through a peaceful neighborhood in eastern Paris, armed with a bucket of glue, a paintbrush and backpacks loaded with posters.

Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.

The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.

The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019. “There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”

Topless queer men light spliffs on the beach. A trans man injects testosterone on the toilet. Drag queens nonchalantly scroll through their phones and smoke. These are just some of the images that make up the new book from Leo Adef. Titled WARP, it’s comprised of photographs captured across four years spent in Barcelona's queer underworld