TRANS LIBERATION 1 Favorite 

The Quilt was conceived in November of 1985 by long-time human rights activist, author and lecturer Cleve Jones. Since the 1978 assassinations of gay San Francisco Supervisor Harvey Milk and Mayor George Moscone, Jones had helped organize the annual candlelight march honoring these men. While planning the 1985 march, he learned that over 1,000 San Franciscans had been lost to AIDS.

During the major strikes and student uprisings in France that year, the École des Beaux-Arts turned itself into a workshop for revolutionary messages.

An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.

Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.

By Evan Mulvihill, Queerty.

When Tea Party activists gathered in Boston yesterday afternoon, they weren’t given license to shout their Small Government slogans at disinterested passersby—liberal activists of all stripes showed up to shout them down.

Who doesn’t love a good counter-protest?