hat’s it like to be black at Harvard? Students at the Ivy League university are offering a picture of their experiences there with a play and a photo campaign called “I, Too, Am Harvard,” a nod to the famous Langston Hughes poem.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
Massimiliano Martigli Jiang was born in Wenzhou, China but moved with his parents to Italy when he was still a child. The 29 year-old grew up in Italy and considers himself as much Italian as Chinese.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
The two sources linked in this post are separate reviews of the incident currently occurring in Baltimore. It illustrates the factor of hindsight.... what supposedly began as a peaceful protest, in one article, is portrayed as clearly intended to fight back for #blacklifesmatter... however, "(CNN)The arrest and death of Freddie Gray in Baltimore has stoked protests and accusations of police brutality.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Following her sensational first ablum dedicated to the Black queer community via house and dance music, act i: RENAISSANCE, Beyonce released act ii: COWBOY CARTER in late March . The album is speculated to have come from her 2017/2018 performance of "Daddy Issues" at the Country Music Awards with the Dixie Chicks where the artist felt "unwelcomed".
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
By Andrea Long-Chavez
The recognizable figure of a Latino gardener is a common sight for most Southern California locals. But if you happen to see the cardboard painting of a gardener propped up against a chain link fence or hedge, chances are you’ve just seen the public art of Los Angeles-based artist Rarmio Gomez, Jr.
If you’ve spent a decent amount of time on Twitter, you’re probably familiar with the concept of K-pop fancams. The short clips of live performances, primarily by South Korean acts, often dominate replies on the app and are hated by many. This week, however, the social phenomenon has taken over in a different way: to fight for the rights of Black Lives Matter protesters seeking justice after the death of George Floyd.
A march took place Wednesday evening in Manhattan calling for justice in the case of Trayvon Martin. He was an unarmed black teenager who was shot to death by a neighborhood watch captain in Florida last month.
Emory Douglas joined the Black Panthers in January 1967 at the age of 23, just three months after Huey P. Newton and Bobby Seale founded the party. Douglas, who had studied graphic design at San Francisco City College, swiftly became the organization’s minister of culture and the art director in charge of its eponymous newspaper.
Nearly 15,000 mostly Asian-American protesters rallied in Brooklyn Saturday for former NYPD Officer Peter Liang, claiming that the rookie cop was a “pawn” of anti-police politics and was wrongly prosecuted for a tragic accident.The crowd filled Cadman Plaza Park, with many carrying signs with slogans like, “One tragedy, two victims” and, “Scapegoating won’t bring peace.” Many placards bore Martin Luther King Jr.’s photo and quote, “Injustice anywhere is
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
A rescue drone for refugees in danger whilst traveling across the Mediterranean Sea.
Last year alone, 3,500 refugees perished attempting to cross the Mediterranean Sea. The Avy Search and Rescue Drone is specifically designed to help refugee boats. The drone is capable of flying long distances, detecting vessels, and can drop life jackets, life buoys, food supplies, medication and communication devices.
Drones for Good Competition
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
Artists Dionne Bonner, Kenya Adams, Gwen Jones, and Charles Taylor planned the creation of the Black Lives Matter mural in solidarity with the Black Lives Matter movement. Additional artists Breyahna Monet and Danielle Jordan joined the project in the second phase and helped complete the mural painting project.