Grangeon's long-running traveling exhibit, Pandas on Tour, features 1600 papier-mâché pandas. That's approximately one for as many as there are left in the world (recent estimates actually place the number slightly below that, at 1596).
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
Blair Holt was shot and killed while he shielded another classmate from the bullets a gunman sprayed on a CTA bus in Chicago in 2007. His father is a police officer and his mother is a fire department chief, and that’s what they had taught him to do.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Elina Chauvet’s red shoes are worldly. They’ve been in Milan, Italy, and Grand Rapids, Michigan. Not just one pair, but hundreds — red boots, red heels, red toddler shoes. They’re not there to see the sights, but to take up space. Especially when the women or girls who would have worn them no longer take up any space, except in the lives of their loved ones.
Brandalism, an organization out of the UK that aims to reclaim public spaces from advertisers, used Black Friday to protest "partner" brands to the COP21 Climate Conference.
Anonymous artists contributed subvertisements that criticized these brand for their hypocrisy in saying they are advocates for the environment when more often than not they are the worst contributors to the problem.
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/
"As of October 2009, Retznei boasts a new centre. In the middle of the square the black contours of a concrete surface stand out, reminiscent of the shape of a pond. If you step on the Platform, you notice that the ground gives slightly and that it sways. Invisibly but noticeably, water reveals itself as a key component of this art work by Michael Kienzer. The water carries the Platform and us, while we are walking or standing on it.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
In 2009, conservative Prime Minister Silvio Berlusconi demoted the publicly-funded Italian Theatre Insitute (or ETI) to "disposable" status, hacking funding for the arts considerably. ETI promoted Italian companies abroad, managed the Teatro della Pergola in Florence, the Duse theatre in Bologna, and Rome's Teatro Valle--the oldest theatre in Rome, located between the Pantheon and Piazza Navona, Campo dei Fiori and the Senate.
Entitled 2016, the year it was made, this painting depicts a golden boat sinking below the surface of the ocean. The composition’s central subject is a chaotic tumble of black, white, gold and flesh-toned colours, suggesting the boat’s inhabitants are spilling over its edges into the water.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.
As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination.
According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.
It was a quick turnaround for federal employers to recognize Juneteenth as a new federal holiday. But some cities were ready with new statues honoring George Floyd, whose killing by police in Minneapolis last year sparked a nationwide racial justice movement.