Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
From March 29 to April 28, 2012, artist Angel Chen transformed Toronto's Whippersnapper Gallery into a pop-up call centre to field questions on the financial crisis. Phone lines were manned by passers-by, volunteers and guest operators, all of whom solicited callers for discussion about the current economic climate.
In October and November 2016, Breathing Lights illuminated the windows of hundreds of vacant buildings in Albany, Schenectady and Troy, NY. Warm light filled each window with a diffuse glow that mimicked the gentle rhythm of human breathing. Concentrated in neighborhoods with high levels of vacancy, Breathing Lights transformed abandoned structures from pockets of shadows into places of warmth.
A large chair installation work featuring the Chinese name of detained artist and activist Ai Weiwei was set up in Taipei Saturday --the 22nd anniversary of the Tiananmen SquareMassacre -- to call for Ai's release.
Bei Ling, an artist from China who has been barred from enteringhis home country since 2000, used 1,001 empty chairs to piece together the three characters of Ai's name in Liberty Square at 6: 04p.m.
When you design an economy to be based on short term profit to the benefit of giant corporations, the results over the long term will be a country so hostile to human life that the unreasonable and unthinkable becomes an every day reality. Wealth inequality, mass poverty, a crumbling welfare state aside, the prison system perfectly illustrated the madness of the American capitalist system.
"A few months ago artists John Peña, Jon Rubin, and Dawn Weleski opened Conflict Kitchen, a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. Nowadays the Iranian food is served at the counter. More precisely, the kubideh, a dish made of grilled ground meat in freshly baked barbari bread with onion, mint, and basil.
An Israeli member of the Taiji Dolphin Action Group, with a red body painting to evoke blood, is curled up on a sheet depicting the Japanese flag, during a January 30, 2014 protest against the killing of dolphins, notably in the Japanese city of Taiji, held outside the building housing the Japanese Embassy, Tel Aviv. Similar rallies outside Japanese consulates and embassies were expected to take place worldwide.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
Greenpeace advocates displayed a banner outside of the Ministry of the Environment in Warsaw. The banner reads "I love primeval forests" to protest against tree felling in Bialowieza Forest.
Protesters dressed as construction workers wearing hard hats and scaling the Ministry of the Environment building on harnesses.
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
A source of delicious egg creams and daily newspapers since at least the 1930s, an unassuming shop at the corner of St. Marks Place and 2nd Avenue was renamed Gem Spa in 1957 and swiftly transformed into a meeting ground for generations of downtown artists, musicians, poets, and activists.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Object Orange (formerly Detroit. Demolition. Disneyland. is an artistic project in Detroit, Michigan which seeks to draw attention to dilapidated buildings by painting them orange.
MoMA presents the first comprehensive American survey of the leading contemporary artist Walid Raad (b. 1967, Lebanon), featuring his work in photography, video, sculpture, and performance from the last 25 years.
In 2013, a group of ten women incarcerated at York Correctional Institution in Connecticut, calling themselves “Women of York,” created this work of art inspired by Judy Chicago’s The Dinner Party. The installation includes six entry banners and ten place settings arranged on a triangular table, each dedicated to a woman of personal significance to the artist.
It is exceedingly difficult to organize peaceful protests in Russia. Since the Kremlin’s “Special Operation” began on Feb. 24, police have detained nearly 15,000 people across the country in connection with peaceful demonstrations. On March 4, the Kremlin expanded the scope of illegal activity with two laws that criminalize war reporting and antiwar protest. As of March 15, 180 charges have been lodged against protesters.
A wall will go up in Washington Square Park on Sept. 7, but come down by the end of the day.
Called “Muro,” this wall will be the artist Bosco Sodi’s first public installation in New York, in partnership with Paul Kasmin Gallery. It will be more than 6 feet high and about 26 feet long, made with 1,600 clay timbers fired in Oaxaca, Mexico.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.