Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
One in three women and one in four men are victims of sexual violence, the CDC reports. Martha Lluch is an artist and a survivor. Art is how she's taken control of her healing and of her life.
During a cold January morning in 2020, Animanaturalis, a nonprofit group focused on ending the suffering of animals across Spain and Latin America gathered to protest the use, production, and sale of fur in Spain. In a blog post on their website, the group discusses the horrid living conditions on fur farms as well as statistics and alternatives related to fur sales (Animanaturalis, n.d.).
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
"Iconography"
1235 Ocean Parkway
Brooklyn, NY 11230
May 27, 11 am – June 24, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
#thisisnotamask
Covid-19 Pandemic Rubber Stamp Currency Intervention
Website: https://thisisnotamask.tumblr.com/
For more information:
Joseph DeLappe artist/activist – j.delappe@abertay.ac.uk
Brent Richardson media artist – brent@BrentRich.com
Let’s mask the presidents!
Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Zaria’s ultra-realistic drawings explore moments of raw beauty, peace in the landscape, power in the ice and transition that allow the viewers to emotionally connect with places they may never see in real life.
Title 18, Part 1, Chapter 17 of the United States Criminal Code:
"Whoever mutilates, cuts, defaces, disfigures, or perforates, or
unites or cements together, or does any other thing to any bank bill,
draft, note, or other evidence of debt issued by any national banking
association, or Federal Reserve bank, or the Federal Reserve System,
"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
Paris inaugurates its first fresco, on the Human Rights Wall, in tribute to six contemporary activists. To be discovered in the capital's 12th arrondissement, this XXL work of committed street art is by Mahn Kloix.
Charged with participating in demonstrations against the Islamic Republic of Iran, Soudabeh Ardavan was held for eight years (1981-1989) in Iran’s notorious Evin Prison. She found sanity and solace through the forbidden activities of drawing and painting, secretly producing paint from flower petals and tea, using brushes made from toothpicks and human hair.
“The Split”, 26"H x 20"W x 18"D (aluminum, physics books, iPod running a countdown timer program, light, shadow) uses the shadow of a “High School Physics” book to represent World Trade Center, Building #7 that fell into its own footprint at free fall speed (6.5 seconds) on the afternoon of September 11, 2001. We were told that fire caused it to fall, but that is impossible and defies the basic Laws of Physics.
The kidnapping and enslavement of African people was the life-blood of transnational corporations like the "Royal African Company." In law, these human resource corporations were called "artificial people." Their human cargo was called "cargo."
El Rey de la Ruina, aka The King of Ruin, is a local artist based in Madrid, Spain, who creates artistic activist pieces that range from the impact Covid-19 had on the social life of people in Spain, to the impact gentrification has taken on various groups of people. He tends to utilize (at least in his more recent pieces) bright colors and fun, geometric shapes in his art.
“I really wanted to highlight the strength of the human condition. When we work together we’re stronger,” Meredith Stern says of her exhibition “Cooperation Cats: 10 years, 20 prints” at AS220’s Project Space, 93 Mathewson St., Providence, from Feb. 1 to 29.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
Anjali Mehta is an illustrator from New Delhi, India. She is primarily known for her graphic shapes, gentle lines, bold colors, and strong female subjects. She is also designing a series titled Enroute Extinction that uses the same bright colors and familiar layout of a postage stamp. This series highlights animal species in India that are at risk of extinction.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
Inspired by the ecological disaster unfolding across the planet and driven by empowering underrepresented people, Moule, a painter, illustrator, and graphic designer, creates art that makes a statement.
Dressed in a magenta blazer and wearing bright pink lipstick, she is as colourful and spirited as one of her illustrations.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
"To discover
the seemingly endless variety of enthusiasms pursued by New
Yorkers, whether they were carried from immigrants' cultures
from overseas or indigenous to the city landscape.
These are real New Yorkers who have found fascinating ways to