After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
A This flash mob was designed to deliver a message to raise awareness and deepen understanding about the immediacy of the climate change problem. By subverting the lyrics of the Rattlin’ Bog, we appealed through music to the hearts of participants.
The Irish song, the Rattlin’ Bog, is a well-loved traditional cumulative song, with a short chorus, and is easily learned. The word Rattlin’ means ‘splendid’.
Share Your Water Story invites every global citizen to participate in a creative conversation around the different ways in which water impacts our lives. The project encourages people to contribute original expression of any kind via online platforms on the global justice issue of water and sanitation.
For the launch of a new organization fighting to end the water crisis, Matt Damon, Co-founder of Water.org, has produced a video using humor to shed light on the issue of access to clean water. In the spoof, he holds a press conference at which he announces that he will "not go to the bathroom until everyone has access clean water," calling for a "toilet strike."
Watch Chadwick Boseman's Black Panther in Captain America: Civil War, and you'll see a charismatic character who fills a void in the conflicted do-gooder group. This T'Challa is accessible, awe-inspiring and perhaps most importantly, human. "I think the question that I'm trying to ask and answer in Black Panther is, 'What does truly mean to be African?'" the filmmaker recently told Rolling Stone.
Northeast Minneapolis is going to have the first full-fledged water bar of its kind, an establishment where you can sit and drink a variety of local tap waters to your heart’s content. Their delightful motto: “Water is all we have.”
Thousands of Indigenous activists and environmentalists have converged in one of the Amazon’s biggest cities to voice their hopes and fears about the future of the world’s biggest rainforest.
The Brazilian city of Belém will this week host a two-day conclave bringing together the presidents of eight Amazon nations including Brazil, Colombia, Peru and Venezuela.
On Saturday, June 22, a group of friends will meet at one of the more than 4,000 natural gas wells that have been drilled by hydrofracking in Pennsylvania. Instead of picket signs, however, they'll be carrying a picnic basket. For an event they're calling "Picnic on the Gas," they'll strive to show that it is possible to live with creativity and even joy in gas drilling country.
Climate activists defaced a work of art near Germany's Parliament Saturday in the latest act of vandalism by protestors concerned with environmental policy.
Members of The Last Generation threw black liquid over a series of glass plates displaying 19 articles of the German constitution. The protestors then affixed posters to the facade that read, "Oil or fundamental rights?" in German.
World Without Oil (WWO) is an alternate reality game (ARG) created to call attention to, spark dialogue about, plan for and engineer solutions to a possible near-future global oil shortage, post peak oil.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
“Works in Progress” highlights artists across a range of disciplines whose work deals with ecological themes. Considering the particular role that artists play in the climate movement, this column shares their voices and provides a glimpse behind the curtain into their creative processes and experiences.
The beacon flashed incessantly. On. Off. On again.
Like some sort of traffic light gone crazy, it pierced the thick nighttime mist hovering over San Francisco Bay. The light sent a message five miles across the dark waters from Ghirardelli Square to Alcatraz Island. There, cheers erupted as the light flashed the words, "Go Indians!"
In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Zaria’s ultra-realistic drawings explore moments of raw beauty, peace in the landscape, power in the ice and transition that allow the viewers to emotionally connect with places they may never see in real life.
The Comfort Illusion is a solo aural performance that highlights the effects our everyday actions can have on the environment. Through mixed media storytelling using sound and lighting, Adams narrates the life of "The Overkiller" a fictional villian who negatively impacts the earth and the lives of the people around him through smaller everyday decisions. This character constantly prioritizes convenience over care and responsibility (ie.
Located off the west coast of Scotland are the Outer Hebrides, an island chain where Finnish artists Pekka Niittyvirta and Timo Aho decided to install their piece, Lines. The installation is composed of lines of light wrapped around buildings or hovering on a grass field. At high tide, the lights turn on, illuminating the serene landscape, and marking the height of future sea-level rise on the low-lying archipelago.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
Pine Ridge Indian Reservation is home to the Oglala Lakota, designated as part of the Great Sioux Reservation. This land and its people have endured many tragedies at the hands of the United States government. Over 500 treaties negotiated in good faith with the U.S. government have been broken, changed or nullified to suit expansionist interests. Despite centuries of oppression, the Lakota people remain resilient, faithful, and strong.
Last night, The Illuminator (please see external sources) was in Manhattan’s Meatpacking District to project mayday messages on the facade of the soon-to-be-opened Whitney Museum, while a group of two dozen protesters supported by 23 sponsoring organizations, launched a guerrilla inauguration for the “fracked gas line museum.”
Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016):
"Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."