The dramatic demonstration of people power on the streets, called the “Candlelight Revolution,” was sparked off by President Park’s abuse of power and corruption. She had shared classified information on state affairs with her close confidantes, including Ms.
Founded in 2008, the French Feminist Collective, La Barbe, targets inequities of female representation in media and cultural/governmental institutions. La Barbe, meaning "beard" in French, is also an old colloquial expression for "enough is enough!". Known as barbues, the female members are all ages. Any woman is welcome to join.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
As massacres, civil wars, and violence permeated communities, people have searched for asylum in other countries. Due to its location and relative safety, Spain has become a common destination for immigrants seeking a better life. Female immigrants in particular tend to experience much more arduous journeys in that they frequently are subjugated to sexual abuse.
Daku is an Indian graffiti artist that engages in street art with political and social meaning. Little else is known about the elusive artist, due to the illegal nature of his work. The name "Daku" literally translates to bandit or dacoit in Hindi.
The Norman Rockwell Museum is very unique. It attracts people of all ages from all around the world to visit. I’ve heard adults saying “I remember selling that copy of The Post door to door!” or seen children’s excited faces when they find something on the scavenger hunt list. The Rockwell Museum has something for everyone, and this summer I was lucky enough to receive an internship there.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
Initially organized to respond to holes in service provision following Hurricane Katrina, Burners Without Borders has since 2005 "emerged as a community led, grassroots group that encourages innovative, civic participation that creates positive change locally." One ongoing project headed by BWB's Will Ruddick is a complementary currency program in Mombasa, Kenya.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
Social distancing guidelines didn’t stop members of Refuse Fascism Philly from criticizing President Donald Trump’s response to the coronavirus pandemic on Saturday.
Rather than march as a crowd through Center City, a handful of protesters from the group, which has repeatedly called for Trump’s removal, drove their cars through Philadelphia before arriving at the Trump National Golf Club in Pine Hill, N.J.
Troy, Michigan couldn't afford to keep its library open, so it scheduled a vote for a tax increase. A strong anti-tax group waged a dominating campaign against it. Posing as a political group, an outside advertising agency posted signs around town that said, "Vote to close Troy library Aug 2, book burning party Aug 5." We invited everyone to our Facebook page, adding Twitter, Foursquare, want ads, flyers and more to drive engagement.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
MIAMI — Officials at the recently inaugurated Pérez Art Museum Miami confirmed on Monday that a valuable vase by the Chinese dissident artist Ai Weiwei had been deliberately destroyed by a visitor in what appeared to be an act of protest.