Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.
The Colors Mountain is a collective intervention project that uses a virtual space dedicated to the observation and investigation of alleged ecological crimes , with the goal of using the concept of "reasonable doubt", not only for possible court acquittal but also cause a formal investigation that could lead to a court complaint.
In its thirteenth year, the annual Miss Talavera Bruce beauty pageant is held in unlikely surroundings: a women’s prison in Rio de Janeiro, Brazil. The Instituto Penal Talavera is the only maximum-security women’s prison in the city with inmates serving life sentences for murder, fraud and drug trafficking.
On January 18, 2012, numerous website across the internet called for an internet blackout in protest of SOPA and PIPA. SOPA, or the Stop Online Piracy Act, and PIPA, the Protect IP Act, were a series of bills promoted by Hollywood in the US Congress that would have created a “blacklist” of censored websites.
Matika Willbur was given a grant by Kickstarter (the worlds largest funding platform for creative projects) to travel around the U.S. for a year and photograph Native America. The goal of the 562 project is to change the way we think of the Native American race, by shifting our collective consciousness and creating a positive lasting legacy of Native America.
"May you live in interesting times" is the familiar Chinese saying, usually spat out as a curse. You can see why in "A Touch of Sin," a film by renowned director Jia Zhang-ke. That kind of time is now, in the history of his country. With four vignettes inspired by real-life "ripped from the headline" events, he shows what the great economic expansion of China is doing to the majority of its people.
"When it comes to the effects of the virus on black lives, the roots run deep.
⠀⠀
This is one of the hardest illustrations I’ve ever done. Not because of the tree - but because of the overwhelming nature of the subject at hand. Seeing headlines like “Blacks are Dying at Higher Rates from Covid-19” SHOOK me!
⠀⠀
How did a pineapple become a postmodern masterpiece?
The aesthetic merits of tropical fruit inadvertently entered Britain’s national cultural conversation after two students jokingly placed a store-bought pineapple on an empty table at an art exhibition this month at Robert Gordon University in Aberdeen, a port city in northeastern Scotland.
The Ginsburg without photoshopped sunglasses and a crown fueled a revolution with lawsuits instead of protests. She believed in incremental progress instead of bold gestures. She was projected to be a conciliator on the court, not its preeminent liberal dissenter.
Now, “everyone wants to take a picture with me.”
Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read:
71 DEAD
AND STILL NO ARRESTS?
HOW COME?
The slogan of 2015 is "Art changes Perceptions, Perceptions change people, People change the world". The organization has created an online community where anyone can post digital images of poverty existing in the Arab world. The action was created in response to the 2000 United Nations Millennium Summit declaration to eradicate extreme poverty throughout the world by 2015.
What he captured became one of the most influential images in history. A driving force of the environmental movement, the picture, which became known as Earthrise, showed the world as a singular, fragile, oasis.
From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.
Real estate agents and investors with plans to visit an open house in San Francisco Tuesday were greeted with a somewhat unexpected scene – a motley crew of Mission activists and neighborhood characters holding signs and singing, “If you buy this house, you will have bad karma.” A small brass band played along.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
The New York City subway is many things, but clean isn’t necessarily one of them.
It doesn’t exactly smell great, either.
While the MTA hedges on solutions (and continues to debate whether eliminating trash cans from the stations actually solves sanitary issues), the artist and School of Visual Arts student Angela H. Kim is waging a personal guerilla war against the olfactory offensiveness of it all.
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.