Seattle Times:
In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”
Renowned Cuban artist Tania Bruguera surprised a Bogota audience in September when she lined up three people directly involved in the Colombian conflict for a chat. The real performance however, started when a waitress emerged with a tray of neatly organised lines of cocaine, and began offering them to members of the audience.
"Y’en a Marre (“We're Fed Up") first emerged in 2011 as a grassroots campaign against injustice and inequality in Senegal. Spearheaded by the hip hop group Keur Gui Crew in response to local power outages, the nascent protest movement went on to mobilize against the controversial bid by Senegalese president Abdoulaye Wade to remain in office for a third term.
Drag Out The Vote™ is a nonpartisan, nonprofit organization that works with drag performers to promote participation in democracy. We educate and register voters at drag events online and offline, by organizing local and national voter activations. Led by fierce drag kings and queens across the nation, we advocate for increased voter access and engagement in 2020 and beyond.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
At Souvenir Stands, Selling Tourists on Ending Stop-and-Search
By COREY KILGANNON
New York Times, City Blog, August 27, 2012
Last week, a 37-year-old artist from Oakland, Calif., named Aaron Gach joined the crowds of tourists swarming the sidewalk souvenir stands set up around the perimeter of Battery Park in Lower Manhattan.
On September 16, 1932, in his cell at Yerwada Jail in Pune, Mohandas Karamchand Gandhi begins a hunger strike in protest of the British government’s decision to separate India’s electoral system by caste.
After collecting street art and memorabilia from "Occupy Wall Street" since the fall of 2011, the Smithsonian National Museum of American History has lent its collection of Occupy Wall Street posters to Wesleyan's Davison Art Center. The posters will make up an exhibition entitled “Artists Take Action: Protest Posters Today,” which is on display in the University's gallery from April 5 to May 26.
Decolonizing Architecture/Art Residency (DAAR) is an art and architecture collective set up by Alessandro Petti, Sandi Hilal and Eyal Weizman, based in Palestine. Their work is a critical examination of the role played by architecture in the occupation of the Palestinian territories.
At first glance, it seemed like any other Monday evening in Görlitz, the most eastern town in Germany — where Poland sits just across the river. It was July 31, and a couple hundred people had gathered as part of the so-called Monday demonstrations to protest refugees, the COVID-19 vaccine and the government’s green energy politics.
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
"Superbarrio Gomez and his journey in the construction of a "politics of the possible" (1) , an alternative political imaginary constituted via popular culture and the construction of a national and transnational social movement. Superbarrio makes evident the collapse between politics and performance; he forces us to think beyond the performance of politics in order to understand the politics of performance.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
In 2004, the United Nations called the LRA crisis in northern Uganda the “most forgotten, neglected humanitarian emergency in the world.” Invisible Children was founded to change that and to fight against the false notion that our responsibility to each other stops at our own nations’ borders.
ScareMail is a web browser extension that makes email “scary” in order to disrupt NSA surveillance. Extending Google’s Gmail, the work adds to every new email’s signature an algorithmically generated narrative containing a collection of probable NSA search terms. This “story” acts as a trap for NSA programs like PRISM and XKeyscore, forcing them to look at nonsense.
KASHGAR, China — They come for the camel rides, the chance to dress up like a conquering Qing dynasty soldier or to take selfies in front of one of the most historic Islamic shrines in Xinjiang, the sprawling region in China’s far northwest.
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
An online activist group is mimicking the critically acclaimed film Three Billboards Outside Ebbing, Missouri to troll Sen. Marco Rubio, R-Fla., with three rolling billboards in Florida calling for gun control.
To Battle Fake News, Ukrainian Show Features Nothing but Lies
KIEV, Ukraine — The studio lights dim, and the anchor taps a stack of papers on her desk and directs a steely gaze toward the television cameras.
What appears to be a nightly newscast is about to begin, only with a very Ukrainian twist: Everything is a lie, from start to finish.
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building.
Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
The Balloon Project, is a three-year-in-the-making Art Installation by Yan Kong in support of world refugees and migrants. It pays tribute to human spirit, courage and survival. The Balloon Project is a multimedia work incorporating mechanical engineering and visuals to fuse art and politics. 32 balloons inflate and deflate to simulate refugee and migrants' breathing while fleeing their countries to seek safety and freedom in the world.