The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.
The documentary film "The Two Lives of Li Ermao" recorded the bumpy life experience of a transgender Li Ermao and her unique and moving story.
"Others only live one life, I live two." Looking back, the "two lives" are not only the emotional disillusionment and the swing of identity that Li Ermao has experienced in the past 17 years, but also her helpless but accurate summary of her life.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
“Nude” and “vulnerable” aren’t words commonly used to describe Arab males. But that’s how Tamara Abdul Hadi pictures them—literally—in the project Picture an Arab Man. With the goal of breaking the stereotype of Arab men as violent and dangerous, Abdul Hadi has traveled during the past three years to countries including Egypt, Palestine, and Yemen to photograph semi-naked men.
While Trump’s proposal to detain asylum-seeking and migrant families indefinitely remains open to public comment for the next week, families who have already been detained for longer than the 20-day maximum endure painful separations and terrifying uncertainty while they remain in limbo.
Lewis Pugh typically starts to plan his next extreme-swimming challenge after just enough time has passed for him to have forgotten how deeply unpleasant the last one was. He opens his atlas – I know! An atlas! – and turns the pages until he finds a body of water that captures his imagination.
FROM THE NEW YORK TIMES:
" While filming a documentary about divisive oil refinery ventures in the subzero cold of Fort McMurray, Alberta, the director David Dufresne said he wasn’t considering only pollution in that Canadian boomtown or the vast tar sands beneath its frozen ground. He was also thinking deeply about technology, about making a new kind of hybrid media, a docugame.
From Variety:
YouTube launched a campaign with the hashtag #DearMe — encouraging users to upload “video letters” with advice to their younger selves, aimed at helping girls deal with problems — and within an hour it became the No. 1 trending topic on Twitter both in the U.S. and worldwide.
Enmedio member Leonidas Martín at Creativetime 2012 (New York). His presentation “How to Disrupt the Financial Order with Humour, Creativity and a Dose of Mischief” is priceless. Watch the video and laugh.
A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
For a brief moment on Wednesday night it appeared that Belgium had disappeared. The main French language television station hoodwinked the country into thinking that it had split in two when it reported that Flanders had issued a unilateral declaration of independence.
Uncle Sam's Cultural Dissonance looks at the issues facing The United States, including Canada and Mexico. In countries like the United States, where some states are dotted with countless lakes and many people live within easy reach of an ocean, it may be easy to assume that drinking and recreational waters are limitless. This is absurd. This series focuses in on excessive overuse in by agricultural, residential, and industrial sectors.
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.
Between A Rock And A Hard Place is a project consisting of a cleaning performance, a film and a big event on August 18, 2012. From the material recorded on this day, a film and a vinyl record will be made.
Breaking the Silence: The Importance of Mustang
Eylem Atakav on how Mustang offers an important challenge to perceptions of gender and female sexuality in Turkey.
As Deniz Gamze Ergüven's acclaimed debut film Mustang screens at the ICA, Eylem Atakav discusses gender and female sexuality in Turkey, looking at the importance of film in making women's experiences visible and changing perceptions.
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
Matika Willbur was given a grant by Kickstarter (the worlds largest funding platform for creative projects) to travel around the U.S. for a year and photograph Native America. The goal of the 562 project is to change the way we think of the Native American race, by shifting our collective consciousness and creating a positive lasting legacy of Native America.
Project Catalyst specializes in designing culturally rich entertainment experiences that re-imagine the empowering possibilities of cinema and media from a multicultural perspective. Project Catalyst exemplifies the efficacy and essential value of art and cinema at the intersections of social justice and the modern technologies of everyday life.
"Small charities of today are in threat. Charitable donations are down. Fewer people are donating. Those that do donate are giving less. Whilst bigger charities are better equipped to deal with this flux (with money to spend on large advertising campaigns), smaller charities are facing a more uncertain future. For the Pilion Trust, a small frontline charity working with homeless and disadvantaged people in London, times are tough.
World Microphone (世界麦克风) is an organization created by students (most of them are Chinese) located in London. The organization has an account in RED, which is a popular social media in China. It often holds interviews and movements on the street in London, talking about world culture, food, and travel. Then, it makes short videos based on these interviews and movements and posts the videos on RED.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.