In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
Over the past 2 years, Visualizing Palestine (VP) has harnessed visual storytelling to bring public attention to the daily injustices facing Palestinians, from demolition of homes to mothers forced to give birth at military checkpoints. VP wants to start 2014 by raising global awareness around two key issues.
National Museum of Women In the Arts:
To maintain their anonymity, group members wear gorilla masks in public and adopt the names of historic women artists, such as Käthe Kollwitz and Frida Kahlo, as pseudonyms.
In the 1980s, sexist, racist, and militaristic war toys were heavily marketed by the major toy companies, and they became increasingly popular (especially because TV regulations no longer prevented whole shows from being program length commercials for toys, a la GI Joe.)
This week, I got to make history. At 18 years of age, I received an honorary doctorate from the University of London for my work in climate justice, making me the current youngest holder of the award globally.
The Photoshop action — a downloadable file that applies an action with a single click — is aimed at art directors who may be creating such ads. The action, which was disseminated on Reddit and other places where Dove thought such art directors might visit, promised to add a skin glow effect, but actually reverted the image to its original state.
Following in the strong tradition of using graphic novels to explore social ills, DC Comics is releasing two new politically activist issues in their "New 52" series.
The first is called "The Movement" and is written by Gail Simone. Simone describes that "The Movement is an idea I’ve had for some time. It’s a book about power–who owns it, who uses it, who suffers from its abuse."
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.
Local artist fnnch wants San Francisco to decriminalize certain types of art.
You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
Monopoly was invented to demonstrate the evils of capitalism
Buy land – they aren’t making it any more,’ quipped Mark Twain. It’s a maxim that would certainly serve you well in a game of Monopoly, the bestselling board game that has taught generations of children to buy up property, stack it with hotels, and charge fellow players sky-high rents for the privilege of accidentally landing there.
Josh Keyes is a contemporary artist who takes a "satirical look at the impact urban sprawl has on the environment and surmises, with the aid of scientific slices and core samples, what could happen if we continue to infiltrate and encroach on our rural surroundings."
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together.
Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
Cartoons Against Corruption is a cartoon based campaign by political cartoonist Aseem Trivedi to support anti corruption movement in India, best known for sharp hard hitting anti corruption cartoons. Using national emblems and current political news, Trivedi creates cartoons that don't attempt to skirt the issues at hand, but portrays his political stance straightforwardly.
The Convergence graphic novel series is a science fiction dystopia. It tells the story of a dying earth and the dark covenant that the last civilization acceded to for survival. The social contract is disrupted when a prophecy is triggered which can heal the dying earth. Book 1 was released this past June with 7 more episodic books coming monthly in 2016.
publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Since the fall of the Berlin Wall on November 9th, 1989, the cement segments that remain have stood as something more symbolic than just a wall. With installations in every continent, except for Antarctica, the East Side Gallery is the most authentic existing part of the Berlin Wall.
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.