In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
Indian Act speaks of the realities of colonization - the effects of contact, and its often-broken and untranslated contracts. The piece consists of all 56 pages of the Federal Government’s Indian Act mounted on stroud cloth and sewn over with red and white glass beads. Each word is replaced with white beads sewn into the document; the red beads replace the negative space.
A grey minivan rattled through São Paulo’s hilly suburbs, loaded with spray cans, paint rollers, buckets and a ladder as five street artists drove to the Atibainha river, rap lyrics blaring from their speakers.
On the sweltering afternoon of 26 February, they painted colourful protest murals on the legs of a bridge that crosses one of São Paulo’s most important water sources, nestled in the Serra da Cantareira mountain range.
Judy Chicago, the pioneering feminist artist who made the iconic 1970s work The Dinner Party, has enjoyed a long and illustrious career rife with critical approval. Now, in anticipation of Earth Day 2020, Chicago is launching a new project called Create Art For Earth, wherein people from all over the world can submit their own creations to the campaign via a corresponding hashtag. “This is no time for abstractions,” the call for art reads.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
Since Christmas Eve, some lights along the streets and in the houses of Bushwick have spelled out a number of messages quite different from the festive wishes one usually finds during the holiday season. “GENTRIFICATION IS THE NEW COLONIALISM,” “NOT 4 SALE,” and “NO EVICTION ZONE,” some read.
Khushboo Kataria Gulati lights an off-white candle and passes the flame to a switch of sage, casting a spell around the purple-lit room as she places paintbrush to canvas. The herbaceous smoke billows around her, time suspends and her paint strokes create a scene of three multicolored faces surrounded by plants.
In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
"For those who haven’t seen it, Big Bang Big Boom (2010) is yet another fabulous animated graffiti parable from the Blu
art collective. Their work is endlessly fascinating — animated
creatures sliding seamlessly from walls, through sand, along pipes and
under bridges into stop-motion interaction with beach garbage and
Stop Telling Women to Smile is a street art project by Tatyana Fazlalizadeh that addresses gender based street harassment.
Street harassment is a serious issue that affects women world wide. This project attempts to take women's voices, and faces, and put them in the street - creating a presence for women in an environment where women are a lot of times made to feel uncomfortable and unsafe - outside in the street.
In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
ARTS/CULTURE
FOKAL is the hub in Haiti where locals and international visitors from all walks of life -- artists, writers, citizens, activists-- come together to discuss the most pressing nation- and community-building issues, enjoy cutting edge artistic expressions, and share their ideas.
Artist Luke Jerram created a genderless sleeping figure made of glass lying on a piece of cardboard and exhibited in the streets of London. The artist said in an interview "For every person you see sleeping on the streets, there are many others sleeping in hostels, squats and other forms of unsatisfactory and insecure accommodation.
When I watched them kill Elijah McClain, I couldn’t make any art for days. It had been week after week after week of gut-wrenching stories of Black lives taken from this earth too early. I wasn’t sure if I could handle another one. After seeing the way Elijah pleaded for his life while walking home from the convenience store, it was so hard for me to watch and process.
Following her sensational first ablum dedicated to the Black queer community via house and dance music, act i: RENAISSANCE, Beyonce released act ii: COWBOY CARTER in late March . The album is speculated to have come from her 2017/2018 performance of "Daddy Issues" at the Country Music Awards with the Dixie Chicks where the artist felt "unwelcomed".
Environmental activist Ella Daish has created a giant tampon applicator as part of a protest against single-use plastic. The piece is made out of period plastic found polluting beaches, waterways, and local ecosystems in the UK. Daish sourced 1,200 applicators from 15 different locations across the United Kingdom. Of the plastic applicators collected for the project, 87.5 percent came from one brand, Tampax.
On Sunday, September 16th at around 1am, a white van—labelled with “Van Wagner’s” blue logo and topped by a yellow strobe light—circled through permanently lit Times Square. Inside the vehicle, the driver and passenger, both dressed as construction workers, were nervous. They had just vandalized one kiosk a few yards away from an NYPD tower, now they were about to hit another one right underneath the nose of a large white NYPD security camera.