Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa.
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
Activist Boniface Mwangi on confronting corruption in his homeland, and director Sam Soko on recording his campaign
Kenyan director Sam Soko’s debut documentary feature, Softie, opens with the film’s protagonist, Boniface Mwangi, sourcing 1,000 litres of pigs’ blood. “I’ve found a van for you. When do you want it? When are you getting the blood?” Mwangi asks.
In the Democratic Republic of Congo or DRC, sexual violence is a community-wide problem. Rape, in the DRC has been used as a weapon of war and sadly continues to increase even after. According to the peacebuilding NGO Search for Common Ground or SFCG, it is estimated that there are over 400,000 surviving rape victims living in the DRC today. In this environment violence against women has become normative behavior.
In Women Are Heroes, JR introduces women who sometimes look death in the face, who go from laughter to tears, who are generous, have nothing and yet share, who have had a painful past and long to build a happy future.
Richard Turere, 13, has devised an innovative system to protect his family's livestock from the wild beasts. He created "Lion Lights," which keeps the predators away from the family's enclosure. The Kenyan boy will speak about his invention at the TED 2013 conference.
Photographer Thapelo Motsumi is one of many young South Africans who has worked with the Umuzi Photo Club to develop his artistic skills and engage his community. Now this “drop out” has had two exhibitions in London and has been entrusted with Mandela’s football jersey. By GREG NICOLSON.
The Rwanda Film Institute dedicates a lot of its energy to the education of individuals in the field of filmmaking. Through our Kwetu Film School, we look to consistently breed the next generation of Rwandese filmmakers. This is an essential part of our overarching goal of the development of Rwanda culturally, economically, and communicatively through the growth of filmmaking as an industry.
As massacres, civil wars, and violence permeated communities, people have searched for asylum in other countries. Due to its location and relative safety, Spain has become a common destination for immigrants seeking a better life. Female immigrants in particular tend to experience much more arduous journeys in that they frequently are subjugated to sexual abuse.
Pray the Devil Back to Hell is the extraordinary story of a small band of Liberian women who came together in the midst of a bloody civil war, took on the violent warlords and corrupt Charles Taylor regime, and won a long-awaited peace for their shattered country in 2003.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
VOA NEWS March 29, 2012 By Nico Colombant
WASHINGTON--A Sudanese artist from the restive Blue Nile region is using art and activism to promote the plight of people caught between borders and conflict.
In an audio montage of memories from refugees, the sounds of gunfire and explosions mix with crying babies. Narrator Michelle Orecchio describes how to reverse war's grip on so much of humanity.
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?
The Green Belt Movement (GBM) was founded by Professor Wangari Maathai in 1977 under the auspices of the National Council of Women of Kenya (NCWK) to respond to the needs of rural Kenyan women who reported that their streams were drying up, their food supply was less secure, and they had to walk further and further to get firewood for fuel and fencing.
To change Bostwana’s regional misconceptions about HIV, Kesego Basha-Muebli, founded the Miss HIV stigma free pageant. A pageant designed for women who are currently receiving health and wellness counseling and HIV antiretroviral treatment to come out to their friends and family as being HIV positive.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
On 7th December 2009, “Picha Mtaani” was launched at a colorful ceremony in Nairobi. “Picha Mtaani” in partnership with UNDP Kenya, was an initiative that seeks to create a platform for peace building, national healing and cohesion through street picture galleries, hosted dialogues and repertoire of the reflections and discussions.