According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
In December 2015, she stepped out in a wedding dress adorned with hundreds of air pollution masks and walked the streets appealing to Beijingers to take public transport rather than contribute to the choking smog by driving. The year before, she was photographed outside the Beijing Exhibition center in another, wedding dress complete with a 10-metre-long train in a piece entitled “Marry the Sky”.
An animal rights activist sporting only a white bikini, bunny ears and tail has been spotted protesting against fur in Pyeongchang, South Korea, which is hosting the Winter Olympics 2018.
Ashley Fruno discussed the People for the Ethical Treatment of Animals' (Peta) stance on fur in front of the Olympic rings at the Alpensia Resort.
More than 30 South Korean college students shaved their heads in front of the Japanese embassy in Seoul on Tuesday to protest Japan's decision to release water from its crippled Fukushima nuclear plant into the sea.
Police periodically dispersed crowds, who chanted and held placards but did not stop the event from taking place, though there is an anti-pandemic ban on gatherings larger than 10 people.
Sixth Tone - "A group of women trying to raise awareness of LGBT rights by advertising their single, gay sons and daughters at Shanghai’s “marriage market” were forced to disperse after a heated confrontation with other parents and security personnel.The so-called “marriage market” at Shanghai’s centrally located People’s Park draws a large crowd of parents who post signs each weekend describing their children in an effort to find a suitable partne
The immediate prototypes of Zhang Xiaogang’s Big Family series are formal group photographic portraits from the 1950’s and 60’s, including those of Zhang’s own family, a source of the painter’s “endless reveries.” From these old black-and-white pictures Zhang Xiaogang derived the series’ paradigmatic features: a subdued, nearly monochromatic palette; a thickly layered but flat surface, without overt evidence of brushwork; a general compositional restric
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
A street photography exhibition located in Beijing’s most crowded tourist attractions, Dongsi Hutong, to get a voice the Chinese government’s censorship of art works in public space. To hedge the city’s regulation , the human body photography were displayed in the street stores of Dongsi Hutong.
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
A group of activists took to the trains to protest the horrendous treatment that the Singapore government meted out upon 22 individuals who were detained 30 years ago under an operation that was entitled,"Operation Spectrum" with the use of the Internal Security Act (ISA).
In early July 2012, after the Chinese college entrance examination results were announced, the media found that many colleges and universities had gender bias on the admitted scores, and the maximum difference between men and women was up to 40 points. This finding aroused widespread concern and dissatisfaction from the public.
Imagine for a brief moment, that the world’s last five remaining communist countries decided to unite forces and hire the world’s top advertising agencies to re-brand and create a resurgence in the ideologies of Communism?
If there’s one thing we know for certain about China in 2019, it’s that people there love their apps. They use WeChat to talk with friends; they spend hours battling virtual enemies on PUBG; they binge-watch short videos on Douyin. And so why shouldn’t the Communist Party get in on the action?
“A Foreigner Makes Beijing’s Smog into Rings” has become a tittle used by a multitude of popular public accounts on Wechat, the most commonly used chatting app in China, which makes more and more Chinese netizens know the story of Daan Roosegaarde, a Dutch artist and “social designer”, who has been making effort to combine the energy saving technology with visually enjoyable art.
Students at China’s prestigious Tsinghua University are celebrating International Women’s Day with banners making light of a proposed constitutional amendment to scrap term limits for the country’s president.
One banner joked that a boyfriend’s term should also have no limits, while another said, "A country cannot exist without a constitution, as we cannot exist without you!”
The author behind ‘The First Paradise of Fang Siqi,’ a novel that Han described as ‘a young girl falling in love with her rapist,’ has sent shockwaves through Taiwanese society.
On April 27, aspiring Taiwanese author Lin Yi Han committed suicide, leaving behind only her first, and sadly last, novel. The story, entitled “The First Love Paradise of Fang Siqi,” concerns the mental struggles of a young girl who is raped by her teacher.
A Straight Journey is a documentary of Chinese homosexual people. It is the first time for Chinese gays and lesbians to make their debut and speak out via one of the largest Chinese Internet service providers. Two Chinese photographers Masa and Mojo took a journey across 11 China's cities making portraits of 48 gays, lesbians and their families from 2014-2015.
A group of South Korean activists is determined to send copies of The Interview across the North Korean border, despite threats from the state to respond with “cannons or missiles” if the plan succeeds.
In Shanghai, a vigil grew into a street protest where many held blank sheets of white paper in a symbol of tacit defiance.
In Beijing, students at Tsinghua University raised signs showing a math equation devised by the Russian physicist Alexander Friedmann, whose surname in Chinese is a homonym for “free man.”
On January 17, 2011, Hong Yuping (洪玉萍), from Fujian Province, contacted Yu Jianrong (于建嵘), at the Chinese Academy of Social Sciences (CASS), about her family’s plight and requested assistance: In June 2009, their son, Yang Weixin (杨伟鑫), then age six, was abducted from their hometown, Quanzhou, and they had been searching for him ever since.1 In early 2010, Hong had recognized Yang Weixin in a photo of three children begging outside a Xiamen train statio
A hundred days. That’s how long it took Xiao Meili to walk from Beijing, in the arid north, to the humid, central city of Changsha. Since September, the 24-year-old has been trekking south and west across the Chinese heartland, along rumbling highways, around construction sites, down dusty streets. She stops along the way to send letters to local officials. Her plea: China must change the way it handles sex abuse.
Rokudenashiko is on a mission to free the vagina. In her native country of Japan, the vaginal slang word “manko” is considered taboo while the penis equivalent, “chinko,” is used freely. Rokudenashiko (the pseudonym of artist Megumi Igarashi) uses her manko art to destigmatize the vagina, using it as the basis for whimsical figurines, iPhone cases, dioramas, and, in her most infamous piece, a kayak.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
Around 300 police buses were mobilized by the South Korean police to put up a wall on October 3 in central Seoul. More than 11,000 police officers were deployed, and there was minimal public access to Gwanghwamun Square. Subways did not stop at stations near the square, while drivers and pedestrians were stopped and asked for their destinations.