Exposing Disordered Eating is a photographic exhibition intended to show us the images we rarely see. In American media, representations of disordered eating are conditioned and controlled; all we are shown is the crumpled, emaciated anorexic figure with sunken eyes and cheekbones. This image is both unrelatable and othered, and it fails to capture the reality of modern eating disorders: they are omnipresent, multifaceted, and sneaky.
On Thursday 18th December 2014, dozens of leading international health activists staged a colorful protest in front of Hospital del Mar in Barcelona, Spain - highlighting the high prices of Gilead's new hepatitis C treatment, Sovaldi. The medicine costs approximately 40,000 euros in Spain, and $84,000 in the United States, leading to the exclusion from treatment of the majority of patients.
The message we keep hearing over and over again from government and health officials is that it’s imperative to practice social distancing during the COVID-19 crisis: To benefit public health, we have to stay at home. But what if your home isn’t a safe space?
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.
Two weeks ago, the University released the final version of its diversity and inclusion action plan, which could not have been compiled without the exhaustive efforts of students throughout last semester.
With the support of the Amy Rossborough Foundation and several other Yale University affiliated departments, Tamara Leacock, while a senior at Yale University, designed a collection and produced a fashion show that explored through fashion, dance, and carnival an intimate portrait of HIV. The goal of the production was to display HIV in a setting that was intimate, personalized, and displayed with a human face.
A 43-year-old ICU nurse, Jason Odhner is, as one might imagine, awfully busy these days. He works at several local hospitals, is the co-founder of a health-justice nonprofit called Phoenix Allies for Community Health, and he recently started an initiative called #FrontlineHouses, which is connecting health care workers with housing during the coronavirus pandemic.
Godfrey Mwampembwa, popularly known as Gado, has been holding politicians accountable for nearly 30 years. Now, his concern has shifted to the coronavirus.
In a quiet office on the third floor of a building in Nairobi’s central business district, the cartoonist known by his pen name, Gado, was sketching a satire about the coronavirus.
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
The Photoshop action — a downloadable file that applies an action with a single click — is aimed at art directors who may be creating such ads. The action, which was disseminated on Reddit and other places where Dove thought such art directors might visit, promised to add a skin glow effect, but actually reverted the image to its original state.
Donald Trump has been accused of personally causing the deaths of 40,000 Americans through his “reckless” handling of the Covid-19 pandemic, in a new website launched on Wednesday under the provocative title Trump Death Clock.
Pepe Espaliú was an artist from Cordoba who made various art from paintings to sculptures and public actions. He was diagnosed with AIDS in 1990, and up until 1993 when he died, he focused on drawing attention to those affected by AIDS. The Reina Sofía had a small exhibition of some of his work in 1994, in which the work on display had a lot of symbolism about his condition and suffering.
MFA Fashion Parsons graduate and fashion designer Lucia Cuba, for her senior collection, created a fashion collection inspired by the victims and used to raise awareness of forced sterilization in Peru.
In 1991, Gonzalez-Torres lost his partner Ross to AIDS (the artist would face the same fate in 1996). In a tragic and highly personal tribute to Ross, Gonzalez-Torres took a picture of his still-indented empty bed - an image of universal intimacy and loss - and placed it on two dozen commercial billboard spaces throughout New York.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
Zimmerman a composer who uses art, dance, tech, and even robots in his shows. You might call this interdisciplinary. Wagner called it total art, or gesamtkunstwerk.