NEW YORK, Ny., Nov 19, 2018 - Two artists, Actress/Creator/Native New Yorker Maia Lorian and collaborator veteran NYC Street Artist Abe Lincoln Jr. bring to you “A Presidential Parody.” In a nation that seems to place higher value on the American dollar over the American life, the artists felt it was time to release an ad campaign that reflects Trump’s “all American” values.
In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
For more than a week, procedures at some of the largest hospitals in South Korea have been disrupted because thousands of medical interns and residents walked off their jobs. A prolonged walkout could have disastrous consequences.
‘MADE IN BANGLADESH’: NEWYORKERS RAISE AWARENESS ABOUT WORKER EXPLOITATION IN FASHION INDUSTRY
New York City – Models are marching along the biggest shops in Fifth Avenue, wearing faux bloodied shirts with statements 'Made in Bangladesh’, ‘Support Cheap Labor.’
Myths about ethical consumption: ineffective, expensive and subordinate
On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
ACE Bank was a hoax bank developed as part of a bigger campaign by Netwerk Vlaanderen, a Belgian organization concerned with banks’ responsibilities for what they invest in. ACE bank was an elaborate deception, with a headquarters in central Brussels, parodying other banks. It claimed to be investigating whether there was a market for its special way of doing business.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Better Cotton Initiative (BCI) was registered in 2009 and headquartered in Geneva, Switzerland. It is a non-profit international membership organization with representative offices in China, India, Pakistan, and London. It has more than 400 member organizations around the world, mainly including cotton growers, cotton textile enterprises, and retail brands. The group aims to promote what it calls "Better Cotton" around the world.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
Pneumoconiosis has become the most serious occupational disease in China, and the vast majority of sufferers, nearly 6 million, are migrant workers. Because of the long-term inhalation of dust caused by pulmonary fibrosis, they usually breathing if not oxygen machine help, easy to suffocate.
NORTHFIELD, Minn. — Exactly 1,281 white garments hang from the ceiling of the Perlman Teaching Museum’s Braucher Gallery. The collared shirts, knit sweaters, tights, and other items of clothing glow with an eerie luminosity.
Luke Ching Chin Wai is a conceptual artist and labour-artivist in Hong Kong. Since 2013, he has worked undercover in different low-paid jobs in the city, including as a security guard, supermarket cashier worker, and metro cleaner to learn about poor people's working conditions. He then uses these experiences to create art and push for improved labour rights.
Se sacuden la desconfianza y entran al camión. En él no hay frutas, ni verduras, ni carnes. El piso, igual que el techo y las paredes están inmaculadas y pintadas de blanco. Solo ellos y algunos compañeros inmortalizados en fotos llenan el espacio.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
South Korea’s government has been forced to rethink a planned rise in working hours after a backlash from younger people who said the move would destroy their work-life balance and put their health at risk.The government had intended to raise the maximum weekly working time to 69 hours after business groups complained that the current cap of 52 hours was making it difficult to meet deadlines.But protests from the country’s millennials and generation z p
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
On November 26, 2012, about ten college students “flash mobbed” the front of the human resources and social welfare department of Hubei Province in central China. "Refuse to take off pants for inspection," "Ask about menstrual history, what does it have to do with being a civil servant." According to the current admission regulations, female candidates for civil service positions must go through a detailed gynecological examination.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).