It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
Beauty in Transition is an artistic project created by multi-media artist Jody Wood, that established a pop-up mobile hair salon providing beauty services including a hair wash, cut, color and/or style service to willing participants living in homeless shelters. By provoking face-to-face dialogue in a calming recuperative salon environment, this project aims to facilitate empathetic understanding and to unravel the reductive label of homelessness.
By publishing publicly available census data regarding education alongside the economics of prison, CNN Money has activated many people to disperse this information online, and contribute to a larger conversation around the issue of the Prison Industrial Complex, and the general privatization of the prison industry within the United States.
Source: U.S. Census Data and Vera Institute of JusticeGraphic: Tal Yellin / CNNMoney
Many of the banks originally situated on Bank Street in Sharjah have left for more lucrative locations, so we have imagined a new, non-monetary banking model for the street.
What if we were to regard the sum total of memories and stories of the people in this area as the real capital of the street?
And what if this new currency could be invested in the new Bank Street and converted into physical objects?
Two members of the Yes Lab brought a dozen thrift-store suits to Zuccotti Park and asked for volunteers. Then, within earshot of the police, the group made a human microphone announcement about a "highly risky, very arrestable" action. Then, together with a brand-new police escort, the group headed towards the Wall Street Bull chanting "Castrate the bull!" and other angry slogans. More police joined.
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
This week, thousands are descending on North Carolina for the Bank of
America shareholders’ meeting. The protest comes on the heels of the
successful Wells Fargo shareholder event in San Francisco, where
thousands of protesters shut down the conference, and the U.S. Bank
meeting in Minneapolis, where dozens of homeowners spoke out against
foreclosures. A sequence of direct action trainings and spokescouncils
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
Puerto Rico doesn’t know what’s going on here, and if they do, they’re ignoring us.” So opens Gabriel Miranda’s documentary Vietnam, Puerto Rico. Focused on the coastal community of Vietnam, which is located in the Guaynabo, the doc tells the story of a disenfranchised population being displaced over the past two decades to make room for a glitzy new waterfront development.
A Well Within" is a collaborative art and education project that inspires people - young and old - to confront the global water crisis in a personal way. This interactive experience tells the story of Alile, a young East African girl affected by drought, who struggles to give her grandmother a precious drink of water.
The Yes Lab collaborated with "Knobotiq" to design an action against UBS, a financial services giant renowned for aiding tax evaders, funding environmental destruction, and getting bailed out by the public.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.
Low-income tenants at a public housing project in Rhode Island — many of them working mothers with young children — wanted an affordable day care center in their building. With petitions, pickets, and letters to the city council, they built up a steady drumbeat of pressure on the key decision maker, the local Housing and Urban Development (HUD) director. At a certain point they decided to escalate with direct action.
Decolonize Me features six contemporary Aboriginal artists whose works challenge, interrogate and reveal Canada’s long history of colonization in daring and innovative ways.
After a first illegal exhibition on the walls of the Cité des Bosquets, JR settles in the heart of this neighborhood and the neighboring projects of La Forestière, in Clichy-sous-Bois, where the 2005 riots started in the French suburbs.
The first portraits are displayed on the walls of the last popular neighborhoods of the capital, in Eastern Paris.
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
After the economic crisis of December 20, 2001 in Argentina, there was a growth in the participation in all types of protests and claims of the different sectors affected by the crisis (against banks by savers, roadblocks and mobilizations of picket movements, state employees in municipalities and government houses, neighborhood assemblies, etc). The situation that was experienced led the protesters to seek new and varied reporting strategies.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
By Adam Owens
Seventeen people were arrested Monday evening during what the state chapter of the NAACP called a nonviolent "pray in" protest at the General Assembly.
The protest was directed at Republican action on health care, unemployment benefits, education and voting rights.