Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
In Portland, Ore., organizers of the “Reparations Happy Hour” invited black, brown and indigenous people to a bar and handed them $10 bills as they arrived, a small but symbolic gift mostly funded by white people who were asked not to attend.
Justseeds Artists’ Cooperative is a decentralized network of 24 artists committed to making print and design work that reflects a radical social, environmental, and political stance. With members working from the U.S., Canada, and Mexico, Justseeds operates both as a unified collaboration of similarly minded printmakers and as a loose collection of creative individuals with unique viewpoints and working methods.
Last November, when you Googled the phrase “ugly Black woman,” Vanessa Rochelle Lewis’s photograph was the second to come up.
“Which I’m offended by,” says Lewis, a Bay Area–based artist and writer, “since I’m an Aries and I like to be number one in everything.”
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
The National Memorial for Peace and Justice, opening to the public on April 26, 2018, will become the nation’s first memorial dedicated to the legacy of enslaved black people, people terrorized by lynching, African Americans humiliated by racial segregation and Jim Crow, and people of color burdened with contemporary presumptions of guilt and police violence.
On May 14, 2022, the Buffalo community suffered a devastating act of violence when a gunman opened fire at the Tops Friendly Market on Jefferson Avenue, killing ten people and wounding three. Many have asked how to help.
In partnership with Tops, the National Compassion Fund has established the Buffalo 5/14 Survivors Fund to provide direct financial assistance to the survivors of the deceased and those directly affected by this tragedy.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
The video: https://www.youtube.com/watch?v=Rg58d8opQKA
From Flavorwire:
“Another world is possible!” — so goes the popular activist chant at rallies and marches. Yet one of the most difficult aspects of sustaining a grassroots political movement can be imagining that other world and persisting even when it seems far away.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
Trolls chanted in the streets the day of a planned neo-Nazi rally in the small ski town of Whitefish, Montana earlier this year. But they were not the trolls that residents had been expecting—namely, white supremacists from around the country, who had been harassing the town's Jewish community with death threats.
Sarcastic delivery spoken to black people talking about issues regarding black "progress" , media, consumption among other things
https://www.instagram.com/jillisblack/?hl=en
https://www.instagram.com/p/Bb3Y-bQFc2a/?hl=en&taken-by=jillisblack
On March 21, just days after eight people, including six women of Asian descent, were killed in the Atlanta-area shootings, thousands gathered at Columbus Park in Manhattan for a rally against anti-Asian violence. Activists took turns addressing the surge in hate crimes and hate incidents toward the Asian American and Pacific Islander (AAPI) community, when an 8-year-old stepped onto the stage. “Stop the hatred!” Chance yelled into the mic.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
With delicate composition, striking details and strong emotion, five editorial posters drawn by Wuheqilin have attracted some half million followers to his account on Sina Weibo, China's Twitter-like social media platform. His political views expressed in his art have led to some netizens dubbing him the "Wolf Worrier artist."
Matika Willbur was given a grant by Kickstarter (the worlds largest funding platform for creative projects) to travel around the U.S. for a year and photograph Native America. The goal of the 562 project is to change the way we think of the Native American race, by shifting our collective consciousness and creating a positive lasting legacy of Native America.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
"The Last American Indian on Earth", a performance art piece by Gregg Deal,a member of the Pyramid Lake Paiute Tribe originally based in northwestern Nevada.The project documents what happens when an unsuspecting public is confronted with the flesh-and-blood version of a stereotype, one that for most is the only authentic expression of what it means to be an Indigenous person of the American continent.
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.