In May, 2013, Russian performance artist Petr Pavlovsky wrapped his body, nude, in barbed wire and lay outside the St. Petersburg legislative assembly. The act was in protest of restrictions imposed on freedom of speech and assembly. Police officers were forced to attempt to disengage him from the wire. After medical officials also arrived, Pavlovsky refused to be taken to the hospital and was brought to jail, where he was held for several weeks.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
“Undanced Dances Through Prison Walls During a Pandemic” features six dances written inside a prison, a 35-minute dance film, and 11 artists (seven choreographic interpreters and four formerly incarcerated narrators) conversing on dancing in carceral spaces.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
Students at the University of California-San Diego were surprised when an Unmanned Aerial Vehicle, commonly referred to as a drone, crashed in the middle of campus — or at least they thought that’s what happened.
Bea Camacho is a visual and performance artist from the Philippines, the provocation of whose work is described as exciting and strikingly into identity, intimacy, and isolation. Her art is known to delve into the human complex of experiences and offer a layered narrative within its visual and performance medium.
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
On January 12, 2016, Shanghai's temperature dropped to its lowest of the year. A little girl was seen selling matches in the cold wind on Bund street. The little girl, wearing a classic dress, wrapped in an ocher-red scarf and carrying a small bamboo basket full of matches, gave matches to passers-by.
The Yes Lab collaborated with "Knobotiq" to design an action against UBS, a financial services giant renowned for aiding tax evaders, funding environmental destruction, and getting bailed out by the public.
A climate activist smeared pink paint on a Tom Thomson artwork at the National Gallery of Canada as part of activities this week drawing attention to demands for a national firefighting service.
A video uploaded to Facebook by the group On2Ottawa appears to show Kaleb Suedfeld, 28, splashing paint onto Thomson’s 1915 landscape Northern River, kneeling and gluing his hand onto the floor before pulling a written speech from his pocket.
At 7:00 PM on 23 August 1989, approximately two million people from Estonia, Latvia and Lithuania joined hands, forming a human chain from Tallinn through Riga to Vilnius, spanning 675 kilometres, or 420 miles. It was a peaceful protest against the illegal Soviet occupation and also one of the earliest and longest unbroken human chains in history.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
Norwegians raised their voices in unison on Thursday to get under the skin of admitted mass killer Anders Behring Breivik. An estimated 40,000 people turned out in central Oslo's Youngstorget square to sing "Children of the Rainbow," a Norwegian version of "My Rainbow Race," written by American folk singer Pete Seeger.
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s
The Miss Rockaway Armada is both a collection of
individuals and an idea. At its most basic, the idea is this: we’re
going to float down the Mississippi River from Minneapolis to New
Orleans on rafts that we built ourselves. The crew can be called many
things: artists, musicians, builders, travelers, organizers, dreamers.
Ask one of the people who help build and move these crafts for the
AMNA NAWAZ: Since anti-government protests erupted in Iran last year, people around the world have taken to social media to show their support.
That includes an Iranian American ballerina who's tapping into her own heritage and her art, in solidarity with those pushing for more rights.
The "NewsHour"'s Julia Griffin reports for our arts and culture series, Canvas.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
Artistic Activist, Charlotte Claire, is at the forefront of initiating revolutionary change in mental health care. Her project, The Babyfacedassassin, is dedicated to improving mental health care and inspiring people to care for their mental health.
Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.
Forest activist and environmentalist Julia Butterfly Hill spent two years (Dec. 10, 1997-Dec. 18, 1999) living 180 feet high, on two six-by-six-foot platforms, in the canopy of a thousand-year-old redwood tree named Luna to help make the world aware of the plight of the redwood forest.
On November 13, 2012, Joey Skaggs dressed up as Santa Claus and rode a three-wheeler to the United Nations in New York, NY. Skaggs’ bike was equipped with a fake mobile rocket launcher and a sign that read “ Peace on earth, or else!” A group of elves also accompanied Santa to the UN, and they alternated between handing out green toy soldiers to bystanders and singing their altered version of Jingle Bells, as seen below:
On 17 June 2007, a horrific vision was offered to the viewers of the Czech morning program Panorama: instead of idyllic hills, the image of a mushroom cloud was broadcast by a weather camera installed in the Krkonoše mountains, which caused a brief moment of panic in a country that is regularly agitated by debates on nuclear power. The panic wasn’t justified.
Global Citizen arranged a virtual concert to celebrate all those who are working during the COVID-19 epidemic, from the healthcare workers to essential workers. The lineup included Lady Gaga, Taylor Swift, Billie Eilish, Jennifer Hudson, and over 30 more artists. The concert took place live on Youtube and ran for around 6 hours.