The stunt aims to show the impact of climate change by live streaming the sculpture melting.
A climate change group is raising half a million dollars with the goal of carving President Donald Trump’s face into an arctic iceberg.
The Finnish group Melting Ice is spearheading the initiative with the intention of carving a 115-foot ice sculpture of Mr Trump’s face, and have dubbed the effort “Project Trumpmore”.
This is continued exploration of some work I recently had published for a culture jam project in response to the documentary "The Corporation". There are a lot of layers working here. There are thoughts about food deserts, how multinational corporations prey upon them, and finally how particular images regarding development are used to sell the idea of what hunger should look like.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- asked family, friends, neighbors and other acquaintances to save their trash and recyclables for a week and then lie down and be photographed in it:
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
Jenny Hozler has mined declassified U.S. government documents for the series Redaction Paintings meticulously silk-screened works that depict blacked-out handprints of American soldiers accused of committing crimes in Iraq.
Stop Telling Women to Smile is a street art project by Tatyana Fazlalizadeh that addresses gender based street harassment.
Street harassment is a serious issue that affects women world wide. This project attempts to take women's voices, and faces, and put them in the street - creating a presence for women in an environment where women are a lot of times made to feel uncomfortable and unsafe - outside in the street.
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.
Waterpod™ was a floating, sculptural, eco-habitat designed for the rising tides. It launched in the summer of 2009, navigate down the East River, explore the waters of New York Harbor, and docked at several Manhattan piers on the Hudson River before continuing onward. The Waterpod™ demonstrated future pathways for water -based innovations.
El Estudiante Militante is a giant puppet built by the members of Papel Machete and students of the University of Puerto Rico during the first three days of the 2010 student strike at a cultural camp established by the theater group in solidarity with the striking students. The puppet was built with materials inside the campus of the University.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods?
Josh Keyes is a contemporary artist who takes a "satirical look at the impact urban sprawl has on the environment and surmises, with the aid of scientific slices and core samples, what could happen if we continue to infiltrate and encroach on our rural surroundings."
How did a pineapple become a postmodern masterpiece?
The aesthetic merits of tropical fruit inadvertently entered Britain’s national cultural conversation after two students jokingly placed a store-bought pineapple on an empty table at an art exhibition this month at Robert Gordon University in Aberdeen, a port city in northeastern Scotland.
Will Work for Empty Wallets is a community outreach project dedicated to the millions of unemployed United States Citizens. Over 3,000 empty wallets were collected nationwide with the help of the Georgia Department of Labor to construct an 11'x21' American flag. Over 1200 wallets were used in the construction; each containing a unique empty wallet story about economic hardships.
Colony collapse disorder is a colossal issue – and artist Louis Masai wants you take notice. His street art project “Save the Bees” aims to catch your attention by covering the walls of London with bees. Bees are extremely important to agriculture as they pollinate plants - yet entire colonies are disappearing without a solid reasons (there are theories, mostly about pesticide ingredients).
Catcalls of NYC is an organization that uses Instagram and everyday intervention as a platform of raising awareness about street sexual harassment. The group receives direct messages from people who have been catcalled on the street. The group goes to the location of the harassment and writes the catcall on the sidewalk in chalk. The Instagram account CatcallsofNYC then posts on their account a picture of the chalk writing.
Sam Durant is an LA based artist who engages in social, cultural and political issues through his interactive public sculptures. Durant is interested in investigating historical narratives and their contemporary communities. From 2005-2010 Durant was part of the collective Transforma Projects, a grassroots cultural rebuilding initiative in New Orleans. One of his most recent interactive public sculptures Scaffold is on view at the Hague.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.
Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her work examines issues of race, queer identity, memory, and grief. Her current project explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated by the US government during World War II.
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World.
Pop-Up Studio
Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.