A set of interactive experiences at the Sziget festival in Budapest, aimed at social change to improve every day life of trans and gender-nonconforming persons.
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
Time as currency is an interesting economic model related to artistic practice.
According to the creators of Time/Bank, Julieta Aranda and Anton Vidokle, the project "is a tool by which people or a group of people can create an alternative economic model where they exchange their time and skills, rather than acquire goods and services through the use of money or any other state-backed value."
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
New Zealander artist George Nuku has presented his latest work as an installation that imagines the state of the world's oceans 100 years in the future where plastics have totally changed the marine environment.
It is exceedingly difficult to organize peaceful protests in Russia. Since the Kremlin’s “Special Operation” began on Feb. 24, police have detained nearly 15,000 people across the country in connection with peaceful demonstrations. On March 4, the Kremlin expanded the scope of illegal activity with two laws that criminalize war reporting and antiwar protest. As of March 15, 180 charges have been lodged against protesters.
In partnership with Southwark Council, Peckham Settlement, Peckham Space and Resonance FM. Supported using public funding by the National Lottery through Arts Council England and Kickstarter Campaign supporters.
Entitled 2016, the year it was made, this painting depicts a golden boat sinking below the surface of the ocean. The composition’s central subject is a chaotic tumble of black, white, gold and flesh-toned colours, suggesting the boat’s inhabitants are spilling over its edges into the water.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
Luke Ching Chin Wai is a conceptual artist and labour-artivist in Hong Kong. Since 2013, he has worked undercover in different low-paid jobs in the city, including as a security guard, supermarket cashier worker, and metro cleaner to learn about poor people's working conditions. He then uses these experiences to create art and push for improved labour rights.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.
KASHGAR, China — They come for the camel rides, the chance to dress up like a conquering Qing dynasty soldier or to take selfies in front of one of the most historic Islamic shrines in Xinjiang, the sprawling region in China’s far northwest.
Walking the rows of shoes—favorite slippers, old Army boots, gold stilettos—it’s the baby shoes that stop you cold. Shoes began to fill a plaza opposite Puerto Rico’s Capitol building, and by Sunday morning, there were more than 3,000 pairs, a growing memorial to the roughly 4,645 people estimated to have died in the aftermath of Hurricane Maria.
A dilapidated wooden fishing boat laden down with animals who are just skin and bone, a sort of dystopian Noah’s ark trying to escape the end of the earth and an empty city devoid of human life that has been overtaken by nature.
Tranvía Cero is a group of artists from Ecuador who have been creating artistic projects with the aim to empact community lives and change the ideas of art as an exclusive terrain. The describe their goal as a redefinition of art through the social engaging experiences.
Women to the Front: Perspectives on Equality, Gender, and Activism is an exhibit that showcases 15 female artists with ties to Utah who infuse their art with activism. The exhibit commemorates the centennial of the 19th Amendment and the 150th anniversary of the first vote cast by a woman in Utah.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
To raise awareness among the general public about the global clean water crisis, the artist Belo created an image composed of 66,000 cups of colored rainwater simulating levels of impurities found in water all over the planet. This major work of 3,600 square feet, representing a fetus in the maternal womb, emphasizes the necessity of water, even before birth, for each living person.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.