Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods?
Caucus-goers in Des Moines will arrive to a disturbing sight on Monday, with dozens of chain-link cages appearing to hold migrant children cropping up across the city overnight.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
A collective endeavor of Greek antiquity — no less than eighty different artists worked on the frieze alone — the Parthenon was built between 447 BC and 438 BC under the orders of Pericles, following a democratic debate, and overseen by the sculptor Phidias. It measures ten meters high and approximately seventy meters long by thirty meters wide.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
grrrRoar! Ecology is sexier when you focus on women and fanged beasts. Fashions in leopard print help us make that connection globally and online. Polluters at least pause at the reminder that nature isn't dead yet and in fact stirs the same passion as the woman you just met who's saying something about "Fanged Wilds"!
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
Student loan debt in the US today totals over 1.7 trillion dollars and is collectively borne by more than 44 million Americans, including artist kelli rae adams. With her installation Forever in Your Debt, adams converts this abstract burden into a tangible volume. She has crafted hundreds of wheel-thrown vessels, sized to collectively hold the average individual student debt —$37,000—in the form of coins.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Many of the banks originally situated on Bank Street in Sharjah have left for more lucrative locations, so we have imagined a new, non-monetary banking model for the street.
What if we were to regard the sum total of memories and stories of the people in this area as the real capital of the street?
And what if this new currency could be invested in the new Bank Street and converted into physical objects?
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
This urban action was consisted from mapping of over 50 locations of illegal garbage disposing sights and signing of 16 places across Macedonia where people dispose large amounts of heavy garbage and constructive waste.
The Red Sand Project is a participatory art installation and social awareness project created by artist and activist Molly Gochman in 2014. The project aims to raise awareness about human trafficking, which is a global issue that affects an estimated 40 million people, including men, women, and children who are subjected to forced labor, sexual exploitation, and other forms of exploitation.
Swedish lesbian, gay, bisexual and transgender (LGBT) rights advocates offered their colorful stance on Russia's controversial anti-gay legislation over the weekend.
"For those who haven’t seen it, Big Bang Big Boom (2010) is yet another fabulous animated graffiti parable from the Blu
art collective. Their work is endlessly fascinating — animated
creatures sliding seamlessly from walls, through sand, along pipes and
under bridges into stop-motion interaction with beach garbage and
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
This is the image confronting Greeks from an Athenian drain . "Hello, I live in the sewers of Athens," says the cockroach. "Yes, me too," says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
This demonstration was in response to a new law (as of June, 2012) imposing fines for unauthorized protest of up to $20,000 for organizers and $10,000 for participants. After activists were turned down for a more traditional protest, Lyudmila Alexandrova and others set up small dolls, teddy bears, and figurines with demonstration slogans. Two mini protests took place in January 7 and January 14, 2012.