From 1993 to 1998, Spanish activist group Lesbianas Se Difunden (LSD) produced and published a collection of texts and visuals called Non-Grata (Snyder 10), using erotic images of the female body and sexual relationships to capture their audiences’ attention. Within these graphic publications would be calls for queer activism, female freedom, anti-capitalist critiques, and the overall necessity for protest (Snyder 10).
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
"The Shortest Way with the Dissenters;" Or, "Proposals for the Establishment of the Church" is a pamphlet by Daniel Defoe, first published in 1702. Defoe was prompted to write the pamphlet by the increased hostility towards Dissenters in the wake of the accession of Queen Anne to the throne.
For the November issue of women’s magazine ELLE UK, agency W+K London teamed up with feminist cofounders of Vagenda, Holly Baxter and Rhiannon Lucy Cosslett, to rebrand feminism.
Frustrated with the way women are stereotyped and portrayed, Vagenda created a ‘Sod The Stereotypes’ manifesto.
The Acción Poética movement is a literary phenomenon that began in Monterrey, Mexico in 1996. It was founded by Mexican poet Armando Alanis Pulido and involves painting and intervening abandoned walls in cities with fragments of poetry. The content is usually love poems or optimistic phrases. Also, some phrases refer to the current situation in the cities (though one of their rules is to not talk about politics or religious beliefs).
The Declaration of Sentiments, also known as the Declaration of Rights and Sentiments, is a document signed in 1848 at the first women's rights convention to be organized by women. Held in Seneca Falls, New York, the convention is now known as the Seneca Falls Convention. The principal author of the Declaration was Elizabeth Cady Stanton, who modeled it upon the United States Declaration of Independence.
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
Spain is known for its beautiful scenic views, rich history, and rich culture. When we focus on Spain it mainly for the things that attract tourism. Often when living in paradise you forget the shadows that hold secrets are not far behind. I have uncovered a deep dark truth that hides within the cities - Sexual violence and the brutal inequality that women face in Spain.
How it works:
1. Call or text “hello” to (951) 963-3643 to share your experience. Make sure you’re in a quiet place. Maximum recording time is 10 minutes.
2. Please start by telling us where you’re calling from. Perhaps you can even paint a picture of your surroundings for anyone who listens. Then share what you want to say.
3. Hang up when you’re finished.
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
I get catcalled on the street by a construction worker. He says that he can see I’m smart because I have enormous books. He tells me he’s reading the latest Zadie Smith novel. I invite him to join my book club, and spend all night fantasizing about his insightful commentary around non-linear plot structure.
In a sleepy town in Iranian Kurdistan, people take off their winter coats. It is evening, and outside one can just about discern the silhouettes of the mountains that lead to the Turkish and Iraqi borders. Inside, some 60 people fill the small community centre with a clammy heat. But it is not just warmth they are after. They have come for poetry.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Over the course of a semester, fashion hactivist and fashion social justice scholar, Otto Von Busch, facilitated a course on "Critical Fashion and Social Justice," where graduate fashion students at Parsons design school researched, contextualized and at times critiqued case studies on various examples of "fashion social justice." Case studies included traditional fair trade companies and non profit organizations that have used fashi
"To that end, in the Spring of 2014 we launched the Chasing Ice Ohio Tour in an attempt to use the film to shift the political conversation around climate change. As a society, for us to address climate change properly, we need our leaders in Washington to stop debating about whether or not it is actually happening and start taking action.
If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
This blogger documents all the cool things that are on their way to extinction in New York. A mix of preserving history and nostalgia through old school photography and new media. This website creates a nostalgic internet record of pre-internet New York.
A widespread but illegal campaign by a group calling itself “the Gluers” uses posters to denounce violence against women. It has become an effective — and ubiquitous — tool to raise awareness.
On a recent mild night, a squad of four young women wandered through a peaceful neighborhood in eastern Paris, armed with a bucket of glue, a paintbrush and backpacks loaded with posters.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.