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By: Patrick Randall KIEV — Several thousand pro-European Ukrainians demonstrated in the capital for President Viktor Yanukovych's resignation over the weekend. One man even played the piano in front of Ukranian riot police on Kiev’s Independence Square.

There’s a fine line between offensive and hilarious, and Arizona lawmakers aim to make that boundary legally protected. If House Bill 2549 passes, online harassment could become a criminal offense – but some hacktivists are there to help you rejoice.

The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.

The Guerilla Musical heard round the world

WATCH THE MOVIE: http://www.storyofstuff.org/movies-all/story-of-cap-trade/ A Defining Moment Now that’s a discussion! On blogs and listserves, in living rooms and classrooms around the country today, people are talking about, debating, and yes, critiquing our new short film.

The original March For Our Lives event in 2018 formed the largest youth-led protests in American history, with turnout estimated at more than 2 million in 387 districts across the nation, protesting the lack of gun control legislation. Since then, the group that started locally in Parkland, Florida, has expanded, organizing more marches, sit-ins, and bus tours. They’ve become as a disrupting force in the fight against gun violence.

Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery. With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.

'White Walls Say Nothing’ is the first feature-length film of its kind to explore art and activism in the streets of Buenos Aires. Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have barely known political or economic stability.

A dilapidated wooden fishing boat laden down with animals who are just skin and bone, a sort of dystopian Noah’s ark trying to escape the end of the earth and an empty city devoid of human life that has been overtaken by nature.