Richard Bell has often called himself ‘an activist masquerading as an artist’. Aboriginal journalist and radio broadcaster Daniel Browning has suggested that Bell is also ‘a megaphone.
From Public Delivery:
Kacey Wong has a knack for creating art that investigates the space between people and their surrounding environment. Paddling Home, which was performed on the Hong Kong Victoria Harbor, was a star feature in the Hong Kong contemporary art scene.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- asked family, friends, neighbors and other acquaintances to save their trash and recyclables for a week and then lie down and be photographed in it:
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
About us
"Path to Peace" - is a joint mosaic creation, by thousands of people, towards hope, love, and happiness among all people. The creation is placed upon the border wall that divides the Gaza Strip and Israel, adjacent to the homes of Moshav Netiv HaAsara.
The creation is seen from both sides of the wall, spreads on the gray security wall and completely changes the place's atmosphere.
Jacques-Louis David was an active member of the French Revolution, and his works often depicted his political affiliations. David’s painting The Lictors Bring to Brutus the Bodies of His Sons portrays the scene of Brutus, an important figure of the Roman Republic, reacting to the death of his sons. Since they wanted to overthrow the government and restore the monarchy, Brutus ordered their death.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust.
And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.
It's an evocative image — and it was intended to be: Diana, Princess of Wales, wearing a protective visor and flak jacket, walking through a live minefield in Huambo, Angola. The image of the princess, at the time one of most famous women in the world, surrounded by danger, made headlines across the world.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
In a collaboration with fellow artist @vyalone on Instagram, Lucinda Hinojos or La Morena as the artist is known recently completed this mural in Phoenix which showcases the Native American culture of the people indigenous to the area. La Morena said in a post about the project on Facebook, "This mural is about reclaiming space, reclaiming our roots, our identity and finding our truth.
On the eve of Wells Fargo’s annual shareholders meeting in San Antonio, TX on Tuesday, home defenders, students, community groups, and activists in ten cities took peaceful action against the bank. Petitions signed by thousands of people were delivered to Wells Fargo branches and offices across the country calling on CEO John Stumpf to change the bank’s predatory practices.
This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that
concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had
given by the City Council, but without results. And every day having to go all the way through that gorge with two
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).