Projects tagged "North America"

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Through the Market Token program, wooden tokens are used as market currency, making it possible for customers with SNAP (Supplemental Nutrition Assistance Program) food-stamp benefits to get fresh, healthy, affordable foods at the Market. Customers stop at the Market office to swipe their Electronic Benefits Transfer (EBT) card and purchase $1 and $5 tokens that function as cash and are accepted by dozens of Market vendors.

True Connection is a non-profit organization based in Los Angeles, driven by young female visionaries who set out to reach new horizons in healing, empowerment, education, and community building. We are pioneering a truly innovative “Healing Arts Program,” which integrates trauma education, expressive arts therapy, and natural healing techniques and modalities to help children recover, learn and grow from their traumatic life experiences.

In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu. Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.

Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.

A New York blogger impersonating David Koch successfully prank called Wisconsin Gov. Scott Walker. David Koch is one of the two wealthy brothers who were big donors to his political campaign and GOP efforts generally.

Restore the Fourth is a privacy movement started in the summer of 2013, in reaction to Edward Snowden's revealing of the National Security Administration's extensive spying on American and foreign citizens. The movement seeks to uphold the Fourth Amendment of the Constitution, which protects American citizens against unfounded search and seizure of their property or identity.

What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.

In arguably the most radical political climate north of the Rio Grande, a strike by university students in Quebec has led to the biggest upsurge in civil resistance Canada has seen in decades. There’s energy and uncertainty in the streets of Montreal, the province’s largest city. The symbol of the movement: the little red felt square (“squarely in the red,” as in, broke), is ubiquitous, pinned on the jackets and

"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:

On the night of Thursday, Nov. 13, 1969, the “March Against Death” began. By the time that weekend was over, Washington, D.C., had seen more protesters than any single event in its history had drawn. Attendance was higher, by tens of thousands, than at the 1963 Civil Rights March on Washington. And despite a name that, 45 years later, may seem overblown or vague, the march was actually about something very specific.

In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.

The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.