The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.
Honolulu - A change in the programmed entertainment at last night's Asia-Pacific Economic Cooperation (APEC) gala left a few world leaders slack-jawed, though most seemed not to notice that anything was amiss.
A New York blogger impersonating David Koch successfully prank called Wisconsin Gov. Scott Walker. David Koch is one of the two wealthy brothers who were big donors to his political campaign and GOP efforts generally.
From March 14, 2010 to May 31, 2010, in the Museum of Modern Art, Marina Abramović held an activist art called The Artist Is Present. In the exhibition, there were simply a pair of chairs and a desk. Abramović sat on one chair, and the participators could sit on another chair voluntarily. Without a word, Abramović and the participators just looked at each other’s eyes.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
On Sunday morning, a puffy, Michelin Man-like figure trudged through Times Square in New York, panting from the exertion of trying to move while wearing 27 hazmat suits.
Inside the white cocoon was Zhisheng Wu, a Chinese artist who staged the street performance to criticize China’s unrelenting zero-Covid policy.
Since summer 2011, FARM’s activists have been paying people $1 each to watch a 4-minute video depicting the inherent cruelties of raising animals for food. This tactic, known as “pay-per-view,” has led 80% of participants to reduce meat consumption, sparing tens of thousands of animals from abuse and slaughter.
The Photoshop action — a downloadable file that applies an action with a single click — is aimed at art directors who may be creating such ads. The action, which was disseminated on Reddit and other places where Dove thought such art directors might visit, promised to add a skin glow effect, but actually reverted the image to its original state.
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
I Wish This Was is a participatory public art project that explores the process of civic engagement. Inspired by the limited dynamics of community meetings where the loudest people ruled, as well as the volume of abandoned buildings, Chang posted thousands of “I wish this was ___” stickers on vacant buildings across New Orleans to invite residents to easily share their hopes for these spaces.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
From Jezebel:
Marley Dias is an 11-year-old New Jersey resident who’s rounding up children’s books that feature black female leads so that she and her peers have more fictional characters to look up to.
The project, titled #1000BlackGirlBooks, started when Marley complained to her mother about reading too many books about white male protagonists in school.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
Actor and comedian Jim Carrey has always been known for his slapstick silliness. You know the films — "Dumb and Dumber," "The Mask," "Liar Liar," "Ace Ventura," just to name a few.
But he also always managed to peel back the comic goofiness for more serious turns in films like "The Truman Show" and "Eternal Sunshine of the Spotless Mind."
New York activists responded to a recent anti-Muslim subway campaign by plastering stickers over ads depicting the World Trade Center in flames, juxtaposed with text quoting the Koran. The day-glow orange and yellow stickers warn "Caution: This is war propaganda. You're the target". The ads were paid for by the American Freedom Defense Initiative, led by notorious anti-Muslim crusader Pamela Geller, reportedly costing $70,000.
New York performance artist Matthew Silver is at it again. In his most recent stunt he reminded people that self love can't be achieved through commodities. Chanting "You don't need stuff to love yourself" in his underwear at Columbus Circle he created a spectacle that attracted more and more people to his message.
"To that end, in the Spring of 2014 we launched the Chasing Ice Ohio Tour in an attempt to use the film to shift the political conversation around climate change. As a society, for us to address climate change properly, we need our leaders in Washington to stop debating about whether or not it is actually happening and start taking action.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
In 1968, with the US war against Vietnam raging, anti-war veterans and the anti-war movement as a whole in the US increasingly put the spotlight on the US use of napalm. Napalm is burning jellied gasoline dropped on humans engineered to stick to skin and cause horrible burns. According to the wikipedia page on napalm, http://en.wikipedia.org/wiki/Napalm "388,000 tons of U.S.
“Badass Indian Pinups” is a series of paintings by Indo-Canadian artist Nimisha Bhanot, that features paintings of Indian women being confident and sexually liberated.
The Transborder Immigrant Tool is a ECD 2.0 (Ricardo Dominguez, Brett Stalbaum, Amy Sara Carroll, Micha Cárdenas, Elle Mehrmand) project designed to repurpose inexpensive used mobile phones that have GPS antennas (through the addition of proper software which the TB project is designing) to provide emergency personal navigation, helping to guide dehydrated immigrants to water safety sites established by activists and to provide poetic audio nourishment
Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her work examines issues of race, queer identity, memory, and grief. Her current project explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated by the US government during World War II.