Starting in 2019 out of the East Harlem neighborhood in New York, Watermelon has served as recurring series of cookout-themed events that are 100% vegan, while also centering BIPOC businesses. People from all over the city come to the reoccurring events to enjoy different vegan recipes and learn about different aspects of the vegan lifestyle and activism. Brands and organizations are welcome to participate upon coordination with the organizers.
Claudio Abbado was an Italian orchestra director (1933 - 2014) who served as chief director at La Scala Theater in Milan from 1968 - 1985. After 18 years of absence, in 2009, he was invited to conduct a concert there. He accepted upon condition that, instead of paying him a monetary honorarium, the city would commit to the planing of 90.000 trees in the city of Milan.
In conjunction with the GUTS world tour, Olivia has launched Olivia Rodrido’s Fund 4 Good, a global initiative committed to building an equitable and just future for all women, girls and people seeking reproductive health freedom.
A portion of the proceeds from all ticket sales at the GUTS world tour will go towards the Fund 4 Good.
The Youth Activist Art Archive (YAAA) is a dedicated platform that highlights and celebrates the creative efforts of young individuals (26 years old and younger) actively participating in diverse social movements and causes. YAAA acknowledges the vital role and innovative vision of young activists who employ their artistic talents to envision and advocate for a brighter future.
The outbreak of the coronavirus has brought international scrutiny down on China’s political system. Again. A few commentators have applauded the efficiency of the Chinese Communist Party’s response, but most have zoomed in on its weaknesses. Some have even blamed the party itself for the outbreak, calling the disease a “Communist coronavirus” or “the Belt and Road Pandemic.”
Environmental activist Ella Daish has created a giant tampon applicator as part of a protest against single-use plastic. The piece is made out of period plastic found polluting beaches, waterways, and local ecosystems in the UK. Daish sourced 1,200 applicators from 15 different locations across the United Kingdom. Of the plastic applicators collected for the project, 87.5 percent came from one brand, Tampax.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
Ricardo Levins Morales is an artist and organizer based in Minneapolis, Minnesota. He was born into the anti-colonial movement in Puerto Rico, and when his family moved to Chicago in 1967, he became interested in activism. After leaving high school early, he worked in various industries and began to use art as part of his activism work.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
In 2013, Ghana ThinkTank received a Creative Capital Award for Emerging Fields, enabling them to begin the multi-year ThinkTank at the Border project. In this project, they are collecting problems from civilian border patrols like the Minutemen, "Patriot" groups, and Nativist organizations, and bringing them to be solved by think tanks of undocumented workers in San Diego and recently deported immigrants in Tijuana.
A few dozen women, wearing white masks, held up signs protesting against pornographic deepfakes. On the afternoon of Friday, August 30, several South Korean feminist collectives demonstrated in Seoul to fight these sex crimes that are flooding the country.
Greg Jobin-Leeds, a long-time social activist, collaborated with AgitArte, a collective of artists and organizers, to capture the stories of today’s social movements and the activists behind their success with the release of When We Fight, We Win: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
“Potholes!” That’s what Nikola Pisarev, a co-founder of the Contemporary Art Center (CAC) in North Macedoniona responded with when asked what sort of impact creative activism can have. Nikola went on to explain what he meant, describing a series of actions that they had staged in small towns and municipalities across the nation. As is the case in many countries, Macedonia is plagued with official corruption.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
Denes's project "Tree Mountain-A Living Time Capsule" in Finland is a monumental earthwork involving the planting of 11,000 trees by 11,000 people on a reclaimed gravel pit. It's designed to grow over the next 400 years, serving as a testament to environmental stewardship and the potential for regeneration.
From this article: https://www.bbc.com/news/magazine-27632527
A campaign by one of Brazil's biggest football clubs to encourage fans to become organ donors has led to a massive rise in the number of life-changing transplants and reduced waiting lists for organs in the area almost to zero.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
On a drizzly, overcast afternoon, all is quiet at the intersection of Bartholomew and Prieur streets in New Orleans’ historic Ninth Ward. The quiet neighborhood around the Ellis Marsalis Center for Music (EMCM) feel worlds away from the historic French Quarter packed with jazz clubs, bars, restaurants, and markets.
Brother Gao are two China artists. Their works are aims at reflecting the reality of Chinese society in an artistic and critical view. In 2003, the brothers held an event to invite many strangers for a dinner.
Glowing softly in the West Texas desert night, artist Guadalupe Maravilla’s Mariposa Relámpago, was once an ordinary school bus but is now a richly decorated, mobile site for remembrance and healing. Like much of the artist’s work, this piece commemorates and confronts the artist’s journey to the United States as an unaccompanied, undocumented minor fleeing civil war in El Salvador in the 1980s.