In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
Created a platform to showcase disparities that are therein in public basic schools verses the private schools.
Simple a call to duty bearers to act on the deplorable physical learning environment existing in the public schools , because the environment impacts teaching and learning.
Fespaco is a meeting place put to good use to promote the development of black cinematography. From 1973, topics of discussion are introduced at each edition.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.
Activist Boniface Mwangi on confronting corruption in his homeland, and director Sam Soko on recording his campaign
Kenyan director Sam Soko’s debut documentary feature, Softie, opens with the film’s protagonist, Boniface Mwangi, sourcing 1,000 litres of pigs’ blood. “I’ve found a van for you. When do you want it? When are you getting the blood?” Mwangi asks.
In 2019, Adeyemi Emmanuel began collecting bits of discarded plastic and used them to make a backpack. Seeing a way to raise environmental awareness in fashion-conscious Nigeria, Emmanuel in November launched a line of bags, wallets and gift boxes made of 20% leather and around 80% plastic waste, called ECO. He collects chips of used plastic by hand, such as leftovers from picture frames, primarily from craft workshops.
Djerbahood Project, which took place during the months of July and August on a small island called Djerba and is located in the Gulf of Gabes. Better known as the island of dreams, the tiny village of Djerba boasts a traditional and authentic Tunisian setting which acted as a blank canvas for hundred and fifty street artists from thirty different countries.
Step into the captivating world of Zanele Muholi, the activist and masterful photographer from South Africa. Through their lens, they unveil the realities found within LGBTQI+ stories, challenging norms and reshaping perceptions of beauty. Each intimate and evocative portrait captured by Muholi becomes a vessel for social change, dismantling stereotypes, and amplifying the voices of those historically silenced.
As local rapper Naty says, a group of young people are intent on making their mark in Madagascar's cultural history. From gifted slam poet Caylah to inventive visual artist Temandrota and a crew of entrepreneurial skateboarders, a generation of young Madagascans are making space for creative projects.They are inspiring in their enthusiasm and hopeful for the future despite the poverty in their country and its colonial past.
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
"Y’en a Marre (“We're Fed Up") first emerged in 2011 as a grassroots campaign against injustice and inequality in Senegal. Spearheaded by the hip hop group Keur Gui Crew in response to local power outages, the nascent protest movement went on to mobilize against the controversial bid by Senegalese president Abdoulaye Wade to remain in office for a third term.
Godfrey Mwampembwa, popularly known as Gado, has been holding politicians accountable for nearly 30 years. Now, his concern has shifted to the coronavirus.
In a quiet office on the third floor of a building in Nairobi’s central business district, the cartoonist known by his pen name, Gado, was sketching a satire about the coronavirus.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
In a lively room in Kibera, Nairobi’s largest slum, a group of women have gathered to discuss how to keep the upcoming Kenyan election free from violence. The women are not politicians, election officials or campaigners – they are grassroots activists, working with their communities to keep the peace on August 8.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
The “Perceiving Freedom” glasses sculpture on Cape Town’s Sea Point promenade looking towards Robben Island, commemorates late President Nelson Mandela and the values of freedom and equality.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
“I want to show the people how bad the troubles were," says artist Muhiyidin Sharif Ibrahim of Mogadishu, Somalia. "That’s the message we’re going to send to people.”
(Robyn Dixon, Los Angeles Times)
Students have accused university management of having a lack of concern about the issue.
CAPE TOWN – University of Cape Town (UCT) students have stripped to their underwear to highlight their concerns over rape culture on campus.
Dozens of students have gathered outside the Bremner Building to discuss sexual assault and sexual harassment at the university.
Zanele Muholi, the self-proclaimed visual activist and photographer, investigates the fraught relationship between post-apartheid South Africa and its queer community, who, despite being constitutionally protected since 1996, remain a constant target of abuse and discrimination.
In 2004, the United Nations called the LRA crisis in northern Uganda the “most forgotten, neglected humanitarian emergency in the world.” Invisible Children was founded to change that and to fight against the false notion that our responsibility to each other stops at our own nations’ borders.