The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes.
Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
In 2019, Adeyemi Emmanuel began collecting bits of discarded plastic and used them to make a backpack. Seeing a way to raise environmental awareness in fashion-conscious Nigeria, Emmanuel in November launched a line of bags, wallets and gift boxes made of 20% leather and around 80% plastic waste, called ECO. He collects chips of used plastic by hand, such as leftovers from picture frames, primarily from craft workshops.
A TYPICAL EPISODE of Journal Rappé begins with Senegalese rapper Makhtar “Xuman” Fall dressed in a suit and seated behind a news desk. At first glance, the show looks like an ordinary newscast. But then Xuman (pronounced human) launches into his intro, rapping in French instead of talking. “Welcome! Make yourself comfortable. These are the news for you. Some good ones and bad ones too. But they’re all news for you.”
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
"Y’en a Marre (“We're Fed Up") first emerged in 2011 as a grassroots campaign against injustice and inequality in Senegal. Spearheaded by the hip hop group Keur Gui Crew in response to local power outages, the nascent protest movement went on to mobilize against the controversial bid by Senegalese president Abdoulaye Wade to remain in office for a third term.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
I was born in the 90s, but I’m not a Born Free; it was before South Africa became a democracy. Many believe that my generation doesn’t have anything to protest against. Given that police threw stun grenades at a student protest outside parliament last month, that is far from the truth.
What is it like living with AIDS? This heart-wrenching video for South Africa’s Topsy Foundation brings us through 90 hard days in the life of someone living with it. Be sure to watch it all the way to the end. It’s worth it:
Did you catch that? If you didn’t, watch it again. Spoiler after the jump.
To change Bostwana’s regional misconceptions about HIV, Kesego Basha-Muebli, founded the Miss HIV stigma free pageant. A pageant designed for women who are currently receiving health and wellness counseling and HIV antiretroviral treatment to come out to their friends and family as being HIV positive.
Kenyan-based photographer Boniface Mwangi has captured his country's political and civic turmoil since the controversial presidential election in 2007. The violence and disorder he witnesses daily motivated him to take action, setting up a creative hub for activism called PAWA 254.
At the age of just 30, Palesa Ngwenya is helping transform these areas through her position as development coordinator of Maboneng Township Arts Experience. “We turn homes in the townships into art galleries,” says the young South African woman, who grew up during apartheid. “It’s about showing people that you can use what you have to do things that can change your life."
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
By 2010, the Nigerian film industry, also referred to as “Nollywood,” had become the second-largest film industry in the world. Today, the accessibility of digital video technology continues to enable prolific amateur filmmakers to produce wildly popular low-budget and direct-to-DVD films, which deal with timely issues of religion, poverty, and corruption.
WACENA, was established in the year 2008 by a number of concerned mothers together with women students from Makerere University Kampala with a purpose of addressing and alleviating the acute and long-term consequences of violence against the women and children of Uganda.
Not far from the Burkina Faso capital of Ouagadougou, approximately 30 kilometers, lies Operndorf Afrika, a village that’s governed by art and a global exchange of culture.
Established Cape Town based artist Brett Murray returns to Goodman Gallery Johannesburg with Hail to the Thief II. This body of satirical work continues his acerbic attacks on abuses of power, corruption and political dumbness seen in his 2010 Cape Town show Hail to the Thief.
As local rapper Naty says, a group of young people are intent on making their mark in Madagascar's cultural history. From gifted slam poet Caylah to inventive visual artist Temandrota and a crew of entrepreneurial skateboarders, a generation of young Madagascans are making space for creative projects.They are inspiring in their enthusiasm and hopeful for the future despite the poverty in their country and its colonial past.
Kokumo, pronounced "koh-koo-mah", is a trans gender activist whose very name embodies her bold path of resistance. Taken from the West African dialect Yoruba, Kokumo means "this woman will not die." Kokumo chose her name in response to constantly being told that she would die of AIDS while growing up.
Created a platform to showcase disparities that are therein in public basic schools verses the private schools.
Simple a call to duty bearers to act on the deplorable physical learning environment existing in the public schools , because the environment impacts teaching and learning.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
As massacres, civil wars, and violence permeated communities, people have searched for asylum in other countries. Due to its location and relative safety, Spain has become a common destination for immigrants seeking a better life. Female immigrants in particular tend to experience much more arduous journeys in that they frequently are subjugated to sexual abuse.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.