Mounica Tata launched Doodleodrama as an online journal to improve representation for her body type in mainstream media. “I’ve always been an overweight person and bullied and shamed for the same. Only fairly recently I’ve learned to make my peace with my body. My own journey with my body inspired/continues to inspire me to talk about it.”
Latin American Artist María María Acha-Kutscher takes photographs from social and feminist movements and turns them into stunning pop art illustrations.
Force: Upsetting Rape Culture is a group of creative activists who seek to raise awareness about rape culture and promote consensual sex. They "create art actions to generate attention and get millions of people talking," in hopes that sex can become an empowering act rather than one of violence.
The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.
Environmental activist Ella Daish has created a giant tampon applicator as part of a protest against single-use plastic. The piece is made out of period plastic found polluting beaches, waterways, and local ecosystems in the UK. Daish sourced 1,200 applicators from 15 different locations across the United Kingdom. Of the plastic applicators collected for the project, 87.5 percent came from one brand, Tampax.
A big yellow banner hangs off the Central Methodist Church in Cape Town, South Africa proclaiming that *"Jesus was the first to decriminalise sex work - John 8:7"*
From 99 Percent Invisible:
By the late 1980s, AIDS had been in the United States for almost a decade. AIDS became the number one killer of young men in New York City, then of young men in the country, then of young men and women in the country.
In late January 2009, a group of 40 members of right-wing Hindu group Sri Ram Sena attacked women and men in a pub in the Indian city of Mangalore. They were upset with the women for engaging in behavior they found immoral, claiming that the girls were disrespecting traditional Indian values. Video footage of the event spread across Youtube in India, sparking outrage among many at the attack on innocent women.
Women in China are covertly resisting government crackdowns on discussions over their Me Too movement with a clever workaround.
The phrase “rice bunny” (米兔), pronounced as “mi tu,” has popped up on social media networks after censors removed posts that mentioned sexual harassment or the hashtag #MeToo. While those phrases are heavily monitored, Rice Bunny isn’t.
The aim is to create an on line community that seeks to find new ways to articulate what it means to be an international women in relation to art and sexuality.
International visual artists who are making cutting edge fine art, with an erotic edge, please upload your work onto the web site for free. (see link) Also a competition has been launched, giving you a chance to win £300.
“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
It’s almost no surprise that the Supreme Court overturning of Roe v. Wade happened this past week.
Since its enaction in 1973, there have been numerous occasions where politicians and people alike have tried hacking away at its success in reaffirming a women’s right to choose.
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
Jessica Williams talks about women's experiences with street harassment in New York with a satirical approach on how to avoid this unwanted attention.
http://www.cc.com/video-clips/5ndnit/the-daily-show-with-jon-stewart-jes...
Man is a thirsty beast, and nowhere is that thirst more acutely exemplified than on Tinder, the matchmaking app that lets users swipe right in their quest to find love, lust, bots, or viral marketers. Now a California-based programmer has tweaked the app’s API, creating a catfish machine that fools men into thinking they’re talking to women — when in fact they’re talking with each other.
Meet To Sleep, a campaign started by Blank Noise, asks citizens from all across India to come to different public spaces like parks, and sleep there in order to take back free spaces without being afraid for their safety. The first meet was organised in November, 2014, in Bengaluru’s Cubbon Park. And since then there have been eleven meets across various cities including Jaipur, Pune, Mumbai, and Bengaluru.
As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.
On Feb 17, 2020, the official account of The Central Committee of the Communist Youth League on Weibo announced the launch of its virtual idols "Hongqiman" and "Jiangshanjiao", and set up a new official microblog, and called on people to "come and support the League Idols".
Shirin Neshat is an Iranian visual artist who works and resides in New York City. Her work refers to the social, political and religious codes of Muslim societies. She particularly addresses the psychological dimensions of women's experience in contemporary islamic societies. Using Persian poetry and calligraphy she has examined concepts such as martyrdom, space of exile, and the issues of identity and femininity.