Artist and activist Niki Lopez is a survivor. From age 11 to 25, she was trapped in a religious cult in Georgia, where she was separated from the rest of her family. The cult's leader sexually abused her. But in 2000, Lopez escaped and worked with the FBI to put him in prison. She was later given a humanitarian award from the FBI for her help in putting her abuser behind bars.
Grammys 2015: Abuse survivor Brooke Axtell talks Katy Perry, advocacy
by Nardine Saad
Domestic abuse survivor and advocate Brooke Axtell captivated audiences watching the Grammy Awards on Sunday with a stirring spoken-word piece before Katy Perry's performance of her ballad "By the Grace of God" at the Staples Center in Los Angeles.
Something Terrible is the story of Trippe’s childhood sexual abuse and painful struggle with its psychological aftermath. Though the comic itself is sparsely scripted and free of gory details, Trippe provides an afterword that relates the hard facts: he was raped as a child by a teenager, and for three days. The older boy, who took advantage of the trust of someone much too young, threatened Trippe’s family and used a gun as persuasion.
Artists: Cindy Maguire, Assistant Professor Art Education Adelphi University and Teaching Artist with Artistic Noise and girls ages 13-17 from the Brentwood Residential Center on Long Island.
"Every year Playboy releases the ultimate guide to campus life: our infamous party school list. Over the years, it has been brought to our attention that some of our long-standing party picks have a not-so-toast-worthy, rape-ridden side to their campus life."
The video DON’T COVER UP, STEP UP is a public service announcement raising the issue of gender-based violence. In the video, a vlogger teaches her fans how to cover up bruises with makeup after she has been beaten by her husband. There is a twist in the story as the husband enters the scene at the end of the video.
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
The satirical website was launched at noon on Monday, December 3. According to the site, “PINK loves CONSENT is our newest collection of flirty, sexy and powerful statements that remind people to practice CONSENT. CONSENT is a verbal agreement about how and when people are comfortable having sex.”
Meet Shamsia Hassani. At age 24, she is one of Afghanistan's first female graffiti artists.
An associate professor of sculpture at Kabul University, she was first introduced to graffiti in 2010 by British artist, Chu, during a week-long course in street art.
Meet also Malina Suliman, 23, who has been receiving threats from extremists due to her work in graffiti.
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
HBVA (Honour Based Violence Awareness Network) is an international digital resource centre working to advance understanding of HBV (honour based violence) and forced marriage through research, documentation, information and training for professionals who may encounter women, girls and men at risk of these forms of abuse in order to suggest good practise in responding to their needs.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
This article in the Toronto Star is about Baby Storm. A child born in 2011 whose parents chose to keep the child's sex a secret from everyone outside the immediate family. Their motivations are political; they feel storm should have the opportunity to be who they want to be and pick their own gender. This story exhibits what a large role sex and gender play in our lives and how political the personal is.
Xiao has organized and participated in a series of activities that combine performance art with a strong social message. Despite a well-known Chinese maxim expounding that women "hold up half the sky," feminism has largely been an underground movement in the country. Xiao and her cohorts' mission is to change that by taking up the cause in public, even if it means going to extreme and controversial lengths.
The young Chinese feminists shaved their heads to protest inequality in higher education and stormed men’s restrooms to highlight the indignities women face in their prolonged waits at public toilets.
“Cabaret Con-Sensual is an effort comprised of actors, dancers, comedians, producers, writers, and other artists who strive to champion consent and discuss rape-culture through the subversive, yet expressive medium of the performing arts.”
The show was created by Bitsy La Bourbon, founder of the anti rape campaign and non profit organization More Than No.
Is there a way to make sex ed, big, scary, nasty, icky, sex ed, fun again? In the Spring Quarter of of 2013, UCLA students in the Sex Squad, a performance troupe dedicated to injecting a dose of humor into high school sex education, set out to answer that question through a series of short videos.
Parió Paula is an all women’s percussion group based in Lima, Peru. These women are truly artistic renegades defying the social norms of Lima’s predominantly male music scene. With a bold message on emphasizing female expression, these ladies have transformed their countless styles of drumming into something effective for their city.
(see full article and short documentary at link below)
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
Female Frequency is a collective dedicated to empowering women & girls through the creation of music that is entirely female generated. "We are making an album created entirely by females, start to finish --
this means that all writing, instrumentation, arrangement, performance, production, engineering, mixing, mastering, marketing and visual media will be carried out by females."
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
The current cultural and political context in Macedonia marginalizes lesbians and women in general, and the dominant political party forces the traditional role of the woman, where she is a mother, a housewife, and of course, heterosexual. Furthermore, the major TV stations are flooded with Turkish soap operas, where traditional values are the leitmotif of the show.
Yumi Ishikawa, a Japanese actress, freelance writer, and part-time funeral parlor worker, started the #KuToo Movement because she feels it’s unfair she has to wear heels at work. She also feels that being required to wear heels is rooted in a cultural problem, one much deeper than physical discomfort.
For the November issue of women’s magazine ELLE UK, agency W+K London teamed up with feminist cofounders of Vagenda, Holly Baxter and Rhiannon Lucy Cosslett, to rebrand feminism.
Frustrated with the way women are stereotyped and portrayed, Vagenda created a ‘Sod The Stereotypes’ manifesto.