New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
Women around the world fed up with long lines for the ladies’ restroom have a new folk hero: a Beijing college student leading her own version of an “occupy” movement in southern China.
As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination.
According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.
Started by UK resident Laura Bates, The Everyday Sexism project is an open forum for women to record their stories of experienced sexism. The project was started as a means to show that gender inequality and sexism pervade contemporary society.
A photo project/online feed to increase visibility of sex workers and increase the sex workers’ sense of community of voice, in response to a spate of violence against the community in Ireland. The project led to a piece in The National, and increased area interest and conversation about violence against sex workers.
"Vil Du?! is a rather explicit game. You can undress characters until they are fully naked. The action-icons are based on physical parameters of the characters. Amongst others there is a vagina, a penis, a hand, a tongue and a mouth.
This act of art and activism displayed in the photograph was created in 1994 by the group La Radical Gai at the height of the HIV and AIDS epidemic that decimated many communities in Madrid. The first case of AIDS in Spain was documented in 1982. Since that time, 85,000 people in Spain have been diagnosed with AIDS and 60,000 people have died from the deadly virus (Soriano, Ramos, Barreiro, Fernandez-Montero, 2018).
Ronald Reagan was elected President of the United States on November 4, 1980. In less than a year, in the Summer of 1981, AIDS was first identified in medical journals. However, it took until 1987 before he would give his first major address on AIDS.
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
Following the controversy around Rick Ross's date rape lyrics in his rap on Rocko’s song U.O.E.N.O, the rapper lost his contract with Reebok and was the target of the media, anti-rape activists Ultraviolet, hip hop activists, and even his fans.
The Dinner Party, an important icon of 1970s feminist art and a milestone in twentieth-century art, is presented as the centerpiece around which the Elizabeth A. Sackler Center for Feminist Art is organized. The Dinner Party comprises a massive ceremonial banquet, arranged on a triangular table with a total of thirty-nine place settings, each commemorating an important woman from history.
Sunaura Taylor is an artist, writer and activist. Through painting, printmaking, writing and other forms of political and artistic engagement her work intervenes with dominant historical narratives of disability and animal oppression. Taylor's artworks have been exhibited at venues across the country, including the CUE Art Foundation, the Smithsonian Institution and the Berkeley Art Museum.
"The Sisters of Perpetual Indulgence® is a leading-edge Order of queer nuns. Since our first appearance in San Francisco on Easter Sunday, 1979, the Sisters have devoted ourselves to community service, ministry and outreach to those on the edges, and to promoting human rights, respect for diversity and spiritual enlightenment.
A widespread but illegal campaign by a group calling itself “the Gluers” uses posters to denounce violence against women. It has become an effective — and ubiquitous — tool to raise awareness.
On a recent mild night, a squad of four young women wandered through a peaceful neighborhood in eastern Paris, armed with a bucket of glue, a paintbrush and backpacks loaded with posters.
"Owning a vehicle, you could drive by and with the pressure of your foot on the accelerator and with your eyes on the road you could pass it quickly … The images of poverty would lift and float and recede quickly like the gray shades of memory so that these images were in the past before you came upon them. It was the physical equivalent of the evening news.” — David Wojnarowicz.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
John Shore and his wife Catherine had been attending the First Presbyterian Church of San Diego for six years when they were nominated to serve as deacons. But before they could be ordained, they were asked to sign a document agreeing that no person in a same-sex relationship should hold any position of authority within the church, which is one of the city’s oldest. It was 1990.
Gao Yaojie (Chinese: 高耀潔, Gao Yaojie; 19 December 1927 – 10 December 2023) was a Chinese gynecologist, academic, and AIDS activist based in Zhengzhou, Henan, China. Gao was honoured for her work by the United Nations and Western organizations whilst spending time under house arrest.
Since her breakout show, Penis Nailed to a Board, held at south London’s City Racing gallery in 1992, British artist Sarah Lucas has never shied from making a statement. Working with sculpture, photography and installation, the Goldsmiths graduate and prominent YBA member has honed her provocative and playful oeuvre to question culturally prescribed notions of femininity and sex.
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
By Lauren Barbato, Ms Magazine Blog
“I find this onslaught of anti-women legislation repulsive,” says 23-year-old Amanda Velez. “These proposed laws condescend to a level where women are treated as something much less than human.” A resident of Elizabethtown, Kentucky, Velez told me her feminist views are often met with hostility in her “typical Bible Belt” state.
But today, she’ll know she’s not alone.
Mattress Performance (Carry That Weight) (2014–2015) was a work of endurance/performance art which Emma Sulkowicz conducted as a senior thesis during the final year of a visual arts degree at Columbia University in New York City.[1]
Artist Bryan Lewis Saunders took it upon himself to draw a self portrait every time he took a psychoactive substance. These ranged from zoloft to morphine to marijuana and it is an amazing subjective experience to witness. We can almost get a taste of what each drug must feel like on the inside, at least to Saunders, and an experiment like this raises some important questions like what are drugs and what place do they have in society?