The story behind Thea, the 12-year-old child bride from Norway
By Andrew Russell - Global News
WATCH ABOVE: Hear the whole story of Thea, a 12-year-old child bride from Norway.
Her name is Thea.
She is a 12-year-old girl living in Norway and on Saturday she is set to marry a 37-year-old man named Geir, becoming the country’s first official child bride.
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
The public bathrooms at Penn Station in New York City are a dirty, depressing place. But now, there’s a bright spot: a poster that encourages women to donate menstrual products, like pads or tampon, to help the many homeless women who frequent the bathroom.
In 2012, Sandra Fluke stood up in front of Democratic members of the House Oversight and Government Reform Committee to advocate for the mandatory inclusion of birth control coverage in health insurance. Republicans on the committee refused to allow her to speak.
A new media activism program at Duke University was started this year with the aim of helping young womeen excel in blogging about gender issues.
The feminist-oriented program is called Write(H)ers and was created by Duke senior, Samantha Lachman and Women's Center Director Ada Gregory. The 23 women involved in the program will meet professional journalists at workshops centered around blogging and gender issues on campus and abroad.
In its thirteenth year, the annual Miss Talavera Bruce beauty pageant is held in unlikely surroundings: a women’s prison in Rio de Janeiro, Brazil. The Instituto Penal Talavera is the only maximum-security women’s prison in the city with inmates serving life sentences for murder, fraud and drug trafficking.
"What the Skirt Lifts", created by a student in France, is a day long protest against gender discrimination where male and female students were encouraged to wear skirts to school.
"University of Miami students, mostly male, walked a mile in red high heeled shoes. They are walking a mile in her shoes.
The mile long walk was in support of Walk a Mile in Her Shoes®, an international men’s march to stop rape, sexual assault and gender violence.
The organization, which says on Facebook that they were founded in 2001, has walks around the world.
By Maha ElNabawi
It was a landmark day when prominent women’s rights activist Doria Shafiq bravely led a march of 1,500 women to storm the gates of Parliament on 19 February 1951. After several hours of unrelenting protest, Shafiq was finally received inside the office, where the council agreed to consider the demands of Egyptian women.
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies.
This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.
Alejandro Ghersi, the Venezuelan-born artist behind Arca, is part of a relatively recent and growing diaspora, and at a time when the political situation back home is at a fever pitch, it feels difficult not to see the ways this album relates to the anguish of that experience.
Dozens of moms organized a breastfeeding protest at an Australian mall after nursing mom Luci White was asked to leave the food court.
White says she was finishing up her lunch at Bendigo Marketplace, about 90 minutes outside Melbourne, when her 7-month-old son, Zaydd, started crying for milk. White started nursing him, but other patrons, an older man and a mom of two, started to complain.
When Disney and Barneys partnered together to create a runway-ready Minnie Mouse, outrage ensued from size and body acceptance activists claiming that the new Minnie Mouse was too skinny. Ragen Chastain, a leader in the Health at Every Size movement, and founder of popular blog "Dances With Fat," jumped on the controversy, and started a change.org petition that garnered over 145,000 signatures.
Amplify HER is a visually dynamic, character driven feature documentary that offers intimate access into the lives of numerous emerging female artists. By combining ecstatic energy and feminine artistry, these talented young women in the global electronic music scene are harbingers for the emerging paradigm.
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
Sunaura Taylor is an artist, writer and activist. Through painting, printmaking, writing and other forms of political and artistic engagement her work intervenes with dominant historical narratives of disability and animal oppression. Taylor's artworks have been exhibited at venues across the country, including the CUE Art Foundation, the Smithsonian Institution and the Berkeley Art Museum.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.
Last month, on the International Day for the Elimination of Violence Against Women, dozens of women gathered outside the supreme court building in Santiago, Chile—a country now beset by popular uprisings against inequality—for a feminist flash mob.
This act of art and activism displayed in the photograph was created in 1994 by the group La Radical Gai at the height of the HIV and AIDS epidemic that decimated many communities in Madrid. The first case of AIDS in Spain was documented in 1982. Since that time, 85,000 people in Spain have been diagnosed with AIDS and 60,000 people have died from the deadly virus (Soriano, Ramos, Barreiro, Fernandez-Montero, 2018).
Last night I attended an Intimate Partner Violence and Sexual Assault
Speak Out, where people across campus from the LGBT community and
coalitions of color came together in one sacred space to share their
stories with strangers. For many, including me, it was the first time we
spoke out publicly. It was empowering. It was liberating. Rarely do I
let myself shed tears over my repressed memories, yet I cried over every