a picture is worth... provides youth with the opportunity to find their voice, surface their values and connect with others in creative and affirming ways. The project integrates academic skills such as literacy, the development of critical thinking, communications, community engagement, photography and technology with values of integrity, self-awareness, empathy and leadership.
Once a year people all over the Earth go to places that they love and where they live that have been damaged, and they bring attention, curiosity, a sense of adventure, and beauty there.
In the process we give back to the places that have given so much to us.
The SlutWalk protest marches began on April 3, 2011, in Toronto, Ontario, Canada, and became a movement of rallies across the world. Participants protest against explaining or excusing rape by referring to any aspect of a woman's appearance.
Valentine Peace Project (VPP) Community Valentine actions started on the streets of Los Angeles with the sharing of thousands of poems on peace and expressions of love given out wrapped around carnations and later Fairtrade roses. Students also made paper flowers to give out with their own written reflections or submissions selected from Valentinepeaceproject.org.
he recent movie “The Monuments Men” told the story of U.S. soldiers who were charged with recovering and protecting works of art stolen by the Nazis in World War II. A new documentary, “The Liberators,” is the story of a U.S. soldier who stole priceless art from a site in Germany and kept it with him in Texas until he died 35 years later.
The Activist Millennials Project (AMP) serves as the nexus of activism and social justice research and practice for millennials at the intersections of educational institutions (K-12 and postsecondary) and communities. By harnessing a growing diverse network of activists, scholars, artists, social entrepreneurs, and media talent, we believe we can provide useful resources to support the various efforts of millennials to create a more just world.
Imagine for a brief moment, that the world’s last five remaining communist countries decided to unite forces and hire the world’s top advertising agencies to re-brand and create a resurgence in the ideologies of Communism?
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
A public art exhibition designed to raise awareness of solutions to climate change. Cool Globes grew out of a commitment at the Clinton Global Initiative in 2005, and was incorporated as a non-profit organization in 2006. Since that time, Cool Globes premiered in Chicago and went on tour across the country from Washington DC to San Francisco, San Diego, Sundance, Los Angeles, Houston and Cleveland.
Beautiful Trouble is a book, web toolbox and international network of artist-activist trainers whose mission is to make grassroots movements more creative and more effective.
The Free Hugs Campaign is a social movement involving individuals who offer hugs to strangers in public places.The hugs are meant to be random acts of kindness - selfless acts performed just to make others feel better. International Free Hugs Month is celebrated on the first Saturday of July and continues until August first.
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By appropriating mementos of other people’s lives and placing them in an art context, Boltanski explores the power of photography to transcend individual identity and to function instead as a witness to collective rituals and shared cultural memories.
When we think about the protectors of our oceans, our mind is instantly drawn to the image of the lifeguard. Pamela Anderson and David Hasselhoff in bright red swimsuits, their enviable bodies on show, as they run along the coastline. As a result our concept of the role has an elitism about it.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
In 2012, visual artist Shilo Shiv Suleman started Fearless in response to the powerful protests that shook the country in response to the “Nirbhaya” tragedy in Delhi, India.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
The Joseph A. Labadie Collection contains posters which have been acquired over the past 100 years. This database consists of images of those posters covering social protest movements such as Anarchism, Civil Liberties, Colonialism, Communism, Ecology, Labor, Pacifism, Sexual Freedom, Socialism, Women, and Youth/Student Protest. Some are from the first half of the 20th century, but the majority are from the 1960s and later. Many are undated.