Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
In response to an earlier project called "Daily Bread, Gregg Segal collaborated with the United Nations Refugee Agency to bring awareness to the crisis of refugees fleeing Venezuela through his project "Un-Daily Bread."
A technological feat has emerged amid the Chilean protests. A video of protestors bringing down a police drone has gone viral on social media sites. These protestors didn't use any physical or gun force to bring the drone down. Instead, they used another form of technology: lasers. A lot of bright green laser beams were pointed in unison at the drone, which can be seen moving erratically, before quickly falling down to Earth.
I think this is a very interesting project that is intended to pay hommage by showcasing portraits of survivors of the Cuban revolution. They are displayed in the streets of Havana and, as the artists explains, this is a place that lacks commercial advertising/ billboards in the streets. So they are displaying the courage and strength of those, people who should be admired, earned their place in a sense.
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
"Brazilian artist Mundano is used to spending his time on the road and in the streets, making art as an act of protest. Known for leaving his colorful works of graffiti on walls around the world, Mundano is especially dedicated to issues of environmental and social justice and spotlighting the overlooked work of Brazil’s trash collectors through his Pimp My Carroça campaign.
order Crossers comprise a series of lightweight robotic sculptures that poetically explore the notion of borders and boundary conditions. The inflatable sculptures rise up to several stories high and extend across a given threshold. Their choreographed performance, originating on both sides of the border, would stage a symbolic connection.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
A converted school bus with the sawed-off top is taking Mexico City visitors on the "Corruptour", a visit to the country's seedy underbelly of murderous misdeeds and multibillion-dollar graft by public officials.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.
From a distance they look like supermarket promotion ads, but up close, the text says the reverse: it details the skyrocketing food prices.
This is the proposal of the action “Bolsocaro”, which spread posters (those known as lambe-lambes) by walls in different regions of the São Paulo capital accompanied by phrases such as “It’s very expensive”, “It’s in Bolsonaro’s account” and “This account it is not ours.
A group of young adults under the name of "Love Tijuana" (Amemos Tijuana) celebrated the one year "Birthday" of a pothole located at the Via Rapida (Tijuana's Freeway) with balloons, banners, and even hats.
Migratón México es un proyecto satírico que se creó colaborativamente en 2017 a partir de un Laboratorio de Artivismo y Humor que organizó el Hemi en San Cristóbal de las Casas, Chiapas, México, con un un grupo de más de 30 artistas y activistas de México, Guatemala, El Salvador, Honduras, Nicaragua y Estados Unidos.
The Search for Identity in a Country of ‘Disappeared’
By Marcela Valente
‘Theatre for Identity’ is the theme of a novel undertaking in the Argentine capital, where 41 plays are being put on every Monday in 14 theatres.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
HAVANA — It’s the latest challenge for computer gamers, in Cuba at least:
Fight your way through mangrove swamps shoulder-to-shoulder with bearded guerrillas clad in the olive green of Fidel Castro and Ernesto “Che” Guevara. Your mission: Topple 1950s dictator Fulgencio Batista.
At Rio+20 we present a bread tank with a garden inside to underline the realistic possibility of eradicating hunger and extreme poverty by redirecting military spending.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
HAVANA (AP) — A U.S. agency's secret infiltration of Cuba's underground hip-hop scene to spark a youth movement against the government was "reckless" and "stupid," Sen. Patrick Leahy said Thursday after The Associated Press revealed the operation.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.