Projects tagged "Latin America & Caribbean"

Cultural center on wheels brings the arts closer to working-class Brazilians
Practitioner:
Anderson Mauricio
Date:
Jun 1 2023
SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
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Acción Poética
Practitioner:
Acción Poética
Date:
Feb 25 1996
The Acción Poética movement is a literary phenomenon that began in Monterrey, Mexico in 1996. It was founded by Mexican poet Armando Alanis Pulido and involves painting and intervening abandoned walls in cities with fragments of poetry. The content is usually love poems or optimistic phrases. Also, some phrases refer to the current situation in the cities (though one of their rules is to not talk about politics or religious beliefs).
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Blu Gets Political in Mexico
Practitioner:
Blu /Fifty24MX
Date:
Mar 3 2015
Italian street artist Blu was recently in Mexico to participate at the ManifestoMX Street Art Festival where he completed this intense and politically charged mural in opposition to the Mexican authorities.
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Witness to the ruins/Testigo de las ruinas
Practitioner:
Mapa Teatro
Date:
Dec 15 2002
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
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Documentary on art and activism in the streets of Buenos Aires
Practitioner:
Graffitimundo
Date:
Oct 1 2008
'White Walls Say Nothing’ is the first feature-length film of its kind to explore art and activism in the streets of Buenos Aires. Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have barely known political or economic stability.
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Brief History of US Interventions in Latin America Since 1946
Practitioner:
Carlos Motta
Date:
Jan 1 2004
Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.
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Women turned Protective Wall into a memorial
Practitioner:
mexican women
Date:
Mar 8 2021
Ahead of Monday’s planned protest, police set up a barricade around the presidential palace, which a spokesperson described as a “peace wall” to prevent vandalism, the Guardian reported. But protesters said the barrier was symbolic of the president’s refusal to take on the issue, noting that he frequently makes a show of traveling in drug cartel-controlled parts of Mexico but felt unsafe ahead of their protest.
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Projeto Axé
Practitioner:
Cesare de Florio La Rocca (founder)
Date:
Jan 1 1990
“Children and youngsters who are invisible to society are made visible through Art”
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Las Carpetas
Practitioner:
CHRISTOPHER GREGORY-RIVERA
Date:
Jan 14 2021
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
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8
Palas Por Pistolas
Practitioner:
Pedro Reyes
Date:
Nov 30 2007
Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.
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Ana Mendieta and Earth Art
Practitioner:
Ana Mendieta
Date:
Apr 20 2018
The works of Ana Mendieta tells a story of the power of the body and the earth, and methods of activism. ----
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2
Huelga decir, gráficas de brazos caídos
Practitioner:
Chahuistle-Bruno editorial
Date:
May 10 2011
Huelga decir, gráficas de brazos caídos, es un libro digital de gran importancia estético-política, dados los recientes acontecimientos sociales a escala mundial, en los que el llamado a la huelga de nueva cuenta se pone de manifiesto en las plazas públicas como instrumento de transformación social.
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Ninguno pa’ Gobernador
Practitioner:
Papel Machete
Date:
Apr 23 2008
Ninguno pa' Gobernador 
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Blurring Boundaries Between Art and Activism in Cuba
Practitioner:
Tania Bruguera
Date:
Jan 23 2015
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
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Indigenous activists gather in Brazil to discuss future of the Amazon
Practitioner:
Brazilian Indigenous Activists and Environmentalists
Date:
Aug 6 2023
Thousands of Indigenous activists and environmentalists have converged in one of the Amazon’s biggest cities to voice their hopes and fears about the future of the world’s biggest rainforest. The Brazilian city of Belém will this week host a two-day conclave bringing together the presidents of eight Amazon nations including Brazil, Colombia, Peru and Venezuela.
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Fotokonbit (Putting Cameras in Haitian Hands) - ONGOING working organization
Practitioner:
fotokonbit
Date:
Jun 10 2011
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
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General Idea and the AIDS crises
Practitioner:
General Idea Collective
Date:
Jan 27 2017
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
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Tatlin's Whisper #6
Practitioner:
Tania Bruguera
Date:
Mar 1 2009
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
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Teatro x la identidad
Practitioner:
Abuelas de Plaza de Mayo
Date:
Apr 10 2001
The Search for Identity in a Country of ‘Disappeared’ By Marcela Valente ‘Theatre for Identity’ is the theme of a novel undertaking in the Argentine capital, where 41 plays are being put on every Monday in 14 theatres.
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White Walls Say Nothing (Film)
Practitioner:
White Wall Industries, Grafittimundo
Date:
Feb 27 2013
This film is being produced by White Wall Industries in association with graffitimundo.
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All The Time. Every Day.
Practitioner:
Fusion
Date:
Feb 20 2015
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
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Leopoldo Méndez’s Revolution: Social Activism through Graphic Art
Practitioner:
Leopoldo Mendez
Date:
Jan 1 1942
Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.
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In Mexico City, Comedians Punish Society’s Scofflaws With Humiliation
Practitioner:
Supercívicos
Date:
Mar 3 2016
Acting on a tip from a disgruntled neighbor, two comedians dressed as drag queens confronted parking officers in broad daylight. The pair wanted to know why the officers, who so ruthlessly enforced parking limits, had never so much as given a warning to the local fruit salesman, whose battered Ford Explorer sat illegally parked all day, every day, in the upper-class neighborhood of Polanco.
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Palas Por Pistolas, or “Shovels for Guns"
Practitioner:
Pedro Reyes
Date:
Jan 1 2007
An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life. In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores. The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.
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Unland
Practitioner:
Doris Salcedo
Date:
Mar 19 1998
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
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