Projects tagged "Latin America & Caribbean"

Palas Por Pistolas
Practitioner:
Pedro Reyes
Date:
Nov 30 2007
Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.
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Ana Mendieta and Earth Art
Practitioner:
Ana Mendieta
Date:
Apr 20 2018
The works of Ana Mendieta tells a story of the power of the body and the earth, and methods of activism. ----
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Acting Lessons
Practitioner:
New LIfe Foundation
Date:
Jan 14 2013
The New Life Foundation is a Colombian organization located in Bogota, whose aim consists of offering vulnerable women alternatives to quit prostitution and rehabilitate from its surrounding dangers (crime, drug addiction, AIDS, etc.) One of its remarkable projects was based on theater as a method to overcome a past of shame and grief building a more dignant present in which they co-construct with their communities.
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Land Mark
Practitioner:
Jennifer Allora & Guillermo Calzadilla
Date:
Jan 1 2001
From Public Delivery: "The Land Mark series was a civil disobedience campaign. Over 2001 and 2002, Allora and Calzadilla, together with a group of activists, encroached into one of the United States Navy Bombing range in a beach of Vieques, Puerto Rico. The U.S. Military and NATO have used this location for various military exercises for more than 60 years.
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Regina José Galindo- Performance Art Guatemala
Practitioner:
Regina José Galindo
Date:
Feb 3 2000
Regina Galindo is a Guatemalan performance artist that uses her body as a means to explore many of the human rights violations in Guatemala. In one of her performances, " no perdemos nada con nacer," or " we don't lose anything by being born," the artist "disposes" of herself in a plastic bag.
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GIMME THE POWER
Practitioner:
MOLOTOV
Date:
May 9 2012
Directed by Fernando Sariñana, Todo el poder centers around the politics and corruption that shroud the Mexican police system. Featuring Demián Bichir as Gabriel, a filmmaker whose career has left him assaulted and robbed in broad daylight more times than he cares to remember, the film itself was inspired by Sariñana's personal experience with urban crime oftentimes perpetrated by the police themselves. ~ Tracie Cooper, Rovi
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Pedestrian Critical Mass
Practitioner:
Ser Urbano, Caracas a Pie, Various individuals
Date:
Jun 29 2013
INVITATION Pedestrian Critical Mass We walk for pedestrians rights Saturday, June 29th @ 3:33 pm From Plaza Venezuela to Chacaíto Caracas, Venezuela
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El Cerro
Practitioner:
Chemi Rosado Seijo
Date:
Jan 1 2002
Excerpts from Chemi Rosado's lecture at The Creative Time Summit 2011:
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Big street barbecue for the distinct people
Practitioner:
Date:
May 14 2011
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
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Mexican Feminists make an artistic intervention on "national heroes" portraits
Practitioner:
Mexican feminists
Date:
Sep 6 2020
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
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How Mexico Formed A United National Identity Through Art
Practitioner:
Mexican Artists
Date:
Oct 4 2016
"Beginning in 1910, the Mexican Revolution spawned a cultural renaissance, inspiring artists to look inward in search of a specifically Mexican artistic language. This visual vocabulary was designed to transcend the realm of the arts and give a national identity to this population undergoing transition.
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Gota D'Agua
Practitioner:
Ronald Duarte and Emerging Collective
Date:
Mar 21 2015
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
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5
Ossario: Reverse Graffiti
Practitioner:
Alexandre Orion
Date:
Aug 22 2006
Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)
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Teeter-Totter Wall, 2019
Practitioner:
Rael and Virginia San Fratello
Date:
Jan 9 2019
hot pink see-saws installed along the US-Mexico border where one person on each side can sit and see-saw with the other. installed at Sunland Park, nine miles northwest of El Paso, on the 18 feet slats border wall between Mexico and the United States. It is at this site where the US Border Patrol detained about 300 migrants from Mexico. (Public Delivery) the installation lasted only 1 day and was done without permission.
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Nostalgia for the Light
Practitioner:
Patricio Guzmán
Date:
Mar 17 2011
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
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Horas por la educación, Hours for education
Practitioner:
Chilean students
Date:
Jun 13 2011
Chilean students ran for 1,800 consecutive hours around Chile's presidential palace, La Moneda, from June 13 to August 27, 2011 to protest the cost of education. The 1,800 hours stand for the 1,800,000,000 Chilean pesos, or approximately US$4 million which would cover the cost of higher education for 300,000 students. They carried Chilean flags and signs with "Free Education Now" written on them.
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YOU ARE NOT A SKETCH: Fashion modeling ad campaign
Practitioner:
Star Models
Date:
Apr 27 2013
Lexi Nisita from Refinery 29 writes in her article "Not A Sketch: The Most Creative Anti-ED Message We've Seen Yet,"
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Camión / Galeria de Arte "Gente de Corabastos"
Practitioner:
Artitis TV
Date:
Apr 22 2016
Se sacuden la desconfianza y entran al camión. En él no hay frutas, ni verduras, ni carnes. El piso, igual que el techo y las paredes están inmaculadas y pintadas de blanco. Solo ellos y algunos compañeros inmortalizados en fotos llenan el espacio.
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Marta Minujín’s The Parthenon of Books: A Living Elevation of Social and Cultural Relations
Practitioner:
Marta Minujín
Date:
Jan 1 1983
A collective endeavor of Greek antiquity — no less than eighty different artists worked on the frieze alone — the Parthenon was built between 447 BC and 438 BC under the orders of Pericles, following a democratic debate, and overseen by the sculptor Phidias. It measures ten meters high and approximately seventy meters long by thirty meters wide.
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Brazil’s Most Famous Art Movement Built on Racial Inequality
Practitioner:
various
Date:
Mar 13 2018
The Shifting View on Anthropofagia Tarsila is closely associated with the establishment of the Brazilian art movement known as cultural “cannibalism,” or “Anthropofagia”: the then-radical idea that a truly Brazilian art would emerge by ingesting all the different cultures that intermingled within the country, rather than simply copying European styles.
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Acción Poética
Practitioner:
Acción Poética
Date:
Feb 25 1996
The Acción Poética movement is a literary phenomenon that began in Monterrey, Mexico in 1996. It was founded by Mexican poet Armando Alanis Pulido and involves painting and intervening abandoned walls in cities with fragments of poetry. The content is usually love poems or optimistic phrases. Also, some phrases refer to the current situation in the cities (though one of their rules is to not talk about politics or religious beliefs).
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Marisela Escobedo and the quest for justice
Practitioner:
Marisela Escobedo
Date:
May 11 2010
Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.
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Expectations
Practitioner:
Jorge Rodriguez Gerarda
Date:
May 13 2015
Jorge Rodríguez-Gerarda is a cuban Artist that was born in 1966. One of his projects was naed Expectations in which he did with sand and grave a massive image of Barack Obama, as a way to reflect all what this presidential candidate representated in terms of change.
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CorrupTour
Practitioner:
Ruta Cívica
Date:
Feb 5 2017
A converted school bus with the sawed-off top is taking Mexico City visitors on the "Corruptour", a visit to the country's seedy underbelly of murderous misdeeds and multibillion-dollar graft by public officials.
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Welcome to the Cantareira Desert
Practitioner:
Thiago Mundano
Date:
Mar 9 2015
A grey minivan rattled through São Paulo’s hilly suburbs, loaded with spray cans, paint rollers, buckets and a ladder as five street artists drove to the Atibainha river, rap lyrics blaring from their speakers. On the sweltering afternoon of 26 February, they painted colourful protest murals on the legs of a bridge that crosses one of São Paulo’s most important water sources, nestled in the Serra da Cantareira mountain range.
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