Projects tagged "Community"

Comusitària
Practitioner:
Comusitària
Date:
Oct 1 2013
Comusitària is a Community Cultural Development agency based in Barcelona run by Noemi Rubio and Laia Serra. They work in the production, management, research and dissemination of artistic projects that build social capital and enable citizens to live more active, critical and creative lives.
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Patterns as Priorities: Aerial Supermax Prison Photos Echo Shapes of Suburbia
Practitioner:
Christoph Gielen
Date:
Apr 5 2013
by Pete Brook
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Sit-Down Strike for Rhythm
Practitioner:
Rhythm Ambassadors
Date:
Oct 5 2017
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.
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Indigenous Cooking
Practitioner:
The I-Collective, American Indian Community House, Nuestra Comida Project, Dr. Elizabeth Hoover
Date:
Nov 23 2017
"a dinner cooked by six indigenous chefs, members of tribes from around North America, who are meeting together for the first time this week to launch a new indigenous activist group, called the I-Collective. Thursday’s dinner will be at Dimes, on Canal Street, and it will follow a dinner tonight for New York City’s local Native American community at the American Indian Community House, on Eldridge Street.
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Haircuts By Children
Practitioner:
Mammalian Diving Reflex
Date:
May 6 2006
Haircuts by Children is a whimsical relational performance that playfully engages with the enfranchisement of children, with trust in the younger generation, and the thrills and chills of vanity. Haircuts By Children involves children between the ages of 8-12 are trained by professional hairstylists, and then paid to run a real hair salon, offering members of the public free haircuts.
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Maboneng Township Arts Experience
Practitioner:
Palesa & Siphiwe Ngwenya
Date:
Jan 1 2001
At the age of just 30, Palesa Ngwenya is helping transform these areas through her position as development coordinator of Maboneng Township Arts Experience. “We turn homes in the townships into art galleries,” says the young South African woman, who grew up during apartheid. “It’s about showing people that you can use what you have to do things that can change your life."
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Nostalgia for the Light
Practitioner:
Patricio Guzmán
Date:
Mar 17 2011
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
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La Casa Negra
Practitioner:
La Casa Negra
Date:
Apr 21 2016
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
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Urbaneer
Practitioner:
Terreform ONE
Date:
Mar 6 2013
Whose job is it to create a city? Our intention is to jumpstart a new profession that can re-invent and negotiate the complex mix that encompasses a city. We have defined a radical new occupation to regenerate, pioneer, and sustain the future urban realm. These innovative multi-disciplinarian advocates are called Urbaneers. Their immense task is to manifest and facilitate the next expression of city across the globe.
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Invincible: Detroit’s Homegrown, Hip-Hop Activism
Practitioner:
Ilana Weaver
Date:
Sep 20 2012
Invincible: Detroit’s Homegrown, Hip-Hop Activism: Powerful, passionate, and politically charged rhymes that speak for marginalized people. by Shannan Stoll Ilana Weaver started listening to hip hop when she was seven, after her family moved from Israel to Ann Arbor, Mich. She was trying to learn English, but soon became fascinated by how hip hop gives a voice to marginalized people.
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The Best Global Impact Documentaries: 2016 Social Impact Media Awards Winners Announced
Practitioner:
Social Impact Media Awards (SIMA)
Date:
Feb 9 2016
LOS ANGELES, Feb. 9, 2016 /PRNewswire/ -- Documentary aficionados yearning for a truly global look at the year's best films should search no further than the Social Impact Media Awards (SIMA), who announced their 2016 winners this morning.
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Moneyless Manifesto
Practitioner:
Mark Boyle
Date:
Nov 1 2008
Mark Boyle has lived completely without money in England [since 2008], an experience which formed the basis for his first book, The Moneyless Man. He is also the founder of Freeconomy, an alternative economy with local groups across 171 countries. He holds a degree in Business and for most of his professional career was involved in the management of organic food companies.
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ŠTO TE NEMA (WHY ARE NOT YOU HERE)
Practitioner:
Aida Šehović
Date:
Jul 11 2018
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
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Santa Claus Army
Practitioner:
Solvognen
Date:
Dec 25 1974
In the lead-up to Christmas 1974, an army of about seventy Santa Clauses, male and female, paraded through the city of Copenhagen, singing carols, handing out sweets and hot chocolate, and asking everyone what they wanted for Christmas.
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Cross-Border Communication
Practitioner:
Broken City Lab
Date:
Nov 1 2009
From Creative Time, Social Practice Archive: Produced by the Windsor, Canada-based collective Broken City Lab—an artist-led interdisciplinary research group—Cross-Border Communication was a performative public art project that took place in November 2009 between the cities of Windsor and Detroit, which are separated by the Detroit River. For three nights, Broken City Lab projected a series of messages across the river which were visible in Detroit.
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SIMA 2017 Call for Entries
Practitioner:
Social Impact Media Awards (SIMA)
Date:
Sep 8 2016
FILMMAKERS & CREATIVE ACTIVISTS - get your story heard! IMPACT YOUR REALITY: 5TH ANNUAL INT’L SOCIAL IMPACT MEDIA AWARDS (SIMA) OPENS FOR ENTRIES Grab your VR headsets: the Social Impact Media Awards (SIMA) is now open for entries, spearheading the first awards for Virtual Reality Impact Filmmaking. http://bit.ly/SIMA2017
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Mayday Space
Practitioner:
Mayday Space
Date:
Jan 1 2016
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
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Flour Bluff students expand education through activism
Practitioner:
Flour Bluff High School students
Date:
Apr 30 2012
CORPUS CHRISTI — Many Flour Bluff ISD students have developed an extracurricular activity that takes their education to the streets, to social media and toward a path of change: activism.Much of the students' passion stems from the April 1 suicide of 16-year-old Ted "Teddy" Molina, a former Flour Bluff Independent School District student.Ted's family has attributed his death to bullying.
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ASCO Collective
Practitioner:
ASCO Collective
Date:
Apr 17 1970
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
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Rolezinho
Practitioner:
Brazilian Youths
Date:
Dec 9 2013
This description is taken from an article posted on dissidentvoice.org (link below):
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Grandmas resignifying public space
Practitioner:
Corpovisionarios por Colombia, Health Ministry of Colombia, OIM
Date:
May 6 2014
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
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The Project Filoctetes
Practitioner:
Emilio García Wehbi
Date:
Nov 15 2002
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
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The Department of Accumulated Thought (D.A.T.)
Practitioner:
TATLO
Date:
Oct 3 2014
Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.
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An Artist Strikes Back Against Foul Subway Smells
Practitioner:
Angela H. Kim
Date:
Feb 8 2016
The New York City subway is many things, but clean isn’t necessarily one of them. It doesn’t exactly smell great, either. While the MTA hedges on solutions (and continues to debate whether eliminating trash cans from the stations actually solves sanitary issues), the artist and School of Visual Arts student Angela H. Kim is waging a personal guerilla war against the olfactory offensiveness of it all.
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Border Crosser
Practitioner:
Chico MacMurtie/Amorphic Robot Works (ARW)
Date:
Feb 3 2016
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
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