Recurrent themes in Emily Jacir's practice—which spans a range of strategies including film, photography, interventions, archiving, performance, video, writing, and sound—are silenced historical narratives, resistance, movement, and exchange.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
In mid-November, the nonprofit group Asian American Federation released 10 travel posters designed to subvert a question that can instantly get under the skin of any person of Asian descent in the United States: “Where are you really from?”
During the COVID-19 pandemic, two Chicago-based organizations, For the People Artists Collective and Chicago Community Bond Fund, worked together to create Decarcerate Now, a virtual quilt honoring individuals who died of COVID-19 while in the custody of the Cook County Jail (CCJ).
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
Creative Leaders
Walk Free is a movement of millions of people everywhere, fighting to end one of the world’s greatest evils: Modern Slavery. Every person in our community has something unique and valuable to add in the fight to ending modern slavery – will you help?
Stickers imitating the Land O Lakes Butter packaging are being placed in grocery stores over the original packaging. The packaging has been altered to say "Land O Rape - Culture" by street artist Recycled Propaganda.
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
“The real wealth of the Nation,” marine biologist and author Rachel Carson wrote in her courageous 1953 protest letter, “lies in the resources of the earth — soil, water, forests, minerals, and wildlife… Their administration is not properly, and cannot be, a matter of politics.” Carson’s legacy inspired the creation of Earth Day and the founding of the Environmental Protection Agency, whose hard-won environmental regulations are now being undone in the
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/