An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
"Street corners are used to maximum effect by British youth homelessness charity Depaul UK in a new campaign created by Publicis London.
The idea is to show another side to homelessness to raise awareness of Depaul’s Nightstop–a service which provides emergency accommodation to homeless 16-to-25-year-olds–to recruit new volunteers.
HBVA (Honour Based Violence Awareness Network) is an international digital resource centre working to advance understanding of HBV (honour based violence) and forced marriage through research, documentation, information and training for professionals who may encounter women, girls and men at risk of these forms of abuse in order to suggest good practise in responding to their needs.
Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps.
Now, they read, "Stamp money out of politics."
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
If, like me, you spent the days after Trump’s election in a depressed stupor wondering what – if anything – would change, look no further than Good Trouble. Set up by former Dazed editor Rod Stanley, it’s a new collective arts platform dedicated to celebrating the culture of resistance and grassroots activists promoting positive change.
South Korea’s Foreign Ministry on Tuesday lodged a protest with Japan over descriptions in new Japanese elementary school textbooks, summoning a senior diplomat of its neighboring country.
A new exhibition at the Yerba Buena Center for the Arts that showcases activism through art and media in the San Francisco Bay Area, gets its name, Take This Hammer, from a 1963 documentary about the author James Baldwin as he went around San Francisco, talking to African-Americans about what it was like for them in the city.
In 1995, Bogota was a chaotic city. Among others, it presented high ranges of homicides, delinquency, corruption, no sense of belonging, traffic chaos and financial problems.
Before it was called the Downtown Arts District, many more artists lived and worked in this stretch of central Los Angeles. The neighborhood was a rough-edged alternative for people in need of large, industrial spaces. A home for those willing to be Skid Row-adjacent and amenity-non-adjacent. But Los Angeles is making an attempt at urbanization, at feeling like a much denser city, and rapid gentrification has followed.
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building.
Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
In mid-November, the nonprofit group Asian American Federation released 10 travel posters designed to subvert a question that can instantly get under the skin of any person of Asian descent in the United States: “Where are you really from?”
"This project was launched in the wake of the police shooting of 16-year old Brooklyn resident Kimani Gray. Blue NYPD barricades left in piles around the city were spray-painted with the names of people killed by police, then re-deployed in public space."
During the COVID-19 pandemic, two Chicago-based organizations, For the People Artists Collective and Chicago Community Bond Fund, worked together to create Decarcerate Now, a virtual quilt honoring individuals who died of COVID-19 while in the custody of the Cook County Jail (CCJ).