In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
Unveiling the Unseen
BlindWiki is a location-based audio network where citizens who are blind or partially sighted use smartphones to share their findings by posting sound recordings. The platform does not just contain information about difficulties and barriers but is also a repository for experiences, opinions and stories, generating a creative and collaborative cartography of the unseen.
John Shore and his wife Catherine had been attending the First Presbyterian Church of San Diego for six years when they were nominated to serve as deacons. But before they could be ordained, they were asked to sign a document agreeing that no person in a same-sex relationship should hold any position of authority within the church, which is one of the city’s oldest. It was 1990.
Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa.
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.
Josep Renau Berenguer was a Spanish painter, photomontager, muralist and communist militant.
Renau was the son of an Art teacher. Due to his father’s low income, he had to work various jobs during his youth and teenage years to maintain a middle class position.
FILMMAKERS & CREATIVE ACTIVISTS - get your story heard!
IMPACT YOUR REALITY:
5TH ANNUAL INT’L SOCIAL IMPACT MEDIA AWARDS (SIMA) OPENS FOR ENTRIES
Grab your VR headsets: the Social Impact Media Awards (SIMA) is now open for entries, spearheading the first awards for Virtual Reality Impact Filmmaking. http://bit.ly/SIMA2017
On Wednesday, December 15th 1976, a referendum was held in Spain. The question was to pass or not to pass the Ley para la Reforma Política (Political Reform Act). This Act was the legal instrument that allowed Spain to transition between Francisco Franco’s dictatorship to a democratic constitutional regime, a parliamentary monarchy.
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
CELEBRATING STORYTELLERS ON THE FRONT LINES OF TODAY’S GLOBAL ISSUES: 4th SOCIAL IMPACT MEDIA AWARDS (SIMA) FINALISTS ANNOUNCED
35 Documentary Features, Shorts and Impact Videos in the running for the Best of Global Impact Cinema
from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and
revolution. Maybe it is the features they share: freedom, deviance and
fluidity, which bring them so close together. In any case, Egypt’s January 25 Revolution undeniably led to a
surge of creativity across the country; a rebel’s passion merges with an
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
When the revolution began in Cairo's Tahrir Square,
music played a big role in galvanizing young people and
giving them a voice. So it's not surprising that music
continues to play an important role in Egyptian politics
as the presidential candidates began their campaigns.
As the world watches Cairo burn, I can’t help but think that the flames of protest engulfing Egypt were sparked by Mohamed Bouazizi, the Tunisian street vendor who set himself on fire on December 17 after police confiscated his vegetable cart. The desperation that he expressed through his act of self-immolation caught on, literally, and spread across the country, into Algeria, and now to Egypt.
Beirut, Lebanon (CNN) -- They've been described as the voice of their generation -- though not one that everyone is comfortable hearing.
Mashrou' Leila, whose name translates as "The Night Project," is a controversial alternative rock band from Lebanon, whose music has served as something of a soundtrack to the Arab Spring for many young people throughout the region.
A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”