Leonardo da Vinci's Mona Lisa (around 1503-19) was attacked at the Musée du Louvre, in Paris, today by environmental activists who threw soup over the world's most-recognised and most-viewed painting. The celebrated portrait, which has been protected by security glass for the past 70 years, was not damaged in the attack.
A video that was first posted on X (formerly Twitter) on November 8, of a Congolese man setting himself on fire has gone viral. The gruesome clip has started a discussion on whether a genocide is occurring in the DRC and is being ignored by both Africa and the rest of the world.
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
From an article in BoredPanda:
"If you’ve ever felt like your voice and opinion doesn’t matter in the vast world, then Seth is here to prove you wrong. This New Yorker runs the ‘Dude With Sign’ Instagram account where he uploads photos of himself protesting the strangest, weirdest, most random things. And the best thing is, we can relate to most of what he’s written on his signs.
The son of an exiled political dissident, Chinese artist and activist Ai Weiwei’s work is inherently political. Since 1995 Ai Weiwei has been traveling the world, photographing himself flipping off iconic monuments of power in his Study of Perspective series.
Zhang Donghui, born in 1992, is a native of Shijiazhuang, Hebei Province, China. He graduated from the Sculpture Department of the Central Academy of Fine Arts in 2017. He has been living and working as a professional artist in Beijing since then.
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
Imagine walking into a silent room where a woman is mending. Now imagine that she's sitting underneath 1,500 pairs of sharp Chinese scissors that are suspended from the ceiling, precariously pointed downwards. This was the idea behind The Mending Project by Beili Liu.
Feb 23 2024, on the streets in Henan, China, a girl holds a big sign with the black text "I've got nothing to say" on a white background, walking around in city center and malls. She live-streamed her walk and her account was banned after a few hours.
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
Dan Perjovschi is one of Romania’s foremost artistic voices. Although known as a talented multi-disciplinary artist in his home country, particularly for his early performance work, he is most widely known internationally for his massive drawing installations.
Activists poured porridge and jam on a marble bust of Queen Victoria and sprayed fire extinguishers filled with soup onto a large bronze statue of the monarch during two recent protests in Glasgow, Scotland.
The group, called This Is Rigged, claimed responsibility for the two protests, which took place inside the Kelvingrove Art Gallery and Museum at noon on March 3 and at George Square at 10:45 am local time on March 4.
WITH HER 2003 PROJECT UNTITLED, Andrea Fraser throws us an archetype of sexual and cultural identity. More than in her other performances, Fraser here works without the protection of a research-based script, a surrogate actor, or the remove that often characterizes analytical thinking. The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room.
Three months ago, when New York government officials ordered nonessential businesses closed to slow the spread of coronavirus, high-end retailers sheathed their stores in plywood barriers, as though readying for civil unrest.
Rufina Bazlova is not afraid to surrender her art to activism. Born in Belarus, a former Soviet republic ruled by the authoritarian leader Aleksandr Lukashenko for 29 years now, Bazlova knows all too well that being apolitical is a privilege many Eastern Europeans cannot afford. 2020 was a pivotal year for Belarus, not only because of the COVID-19 pandemic but also the presidential elections, which declared Lukashenko president for the sixth time.
Shouting is one of Xu Zhen’s early works questioning the limits of individual expression. First exhibited at the 51st Venice Biennale in 2005, the video shows Xu hiding in crowds and performing a series of loud screams in Shanghai.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
The work of Marcela Cantuária (b. 1991, Rio de Janeiro; lives in Rio de Janeiro) often portrays female figures who navigate regional, international, and social boundaries. Often highlighting symbols from tarot and astrology as well as themes that reflect political and environmental activism in Latin America, she weaves narratives of social spheres, political associations, and ethereal wishes.
Social distancing guidelines didn’t stop members of Refuse Fascism Philly from criticizing President Donald Trump’s response to the coronavirus pandemic on Saturday.
Rather than march as a crowd through Center City, a handful of protesters from the group, which has repeatedly called for Trump’s removal, drove their cars through Philadelphia before arriving at the Trump National Golf Club in Pine Hill, N.J.