UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
When the U.S. government came after Anglea Davis, art came to her defense. Targeted by the Federal Bureau of Investigation as one of its “10 Most Wanted” in 1970, tracked down, jailed and accused of three capital crimes, artists and activists around the world rose to her defense. She would be found not guilty on all counts.
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate.
VALDOSTA, Ga. — On an October morning in 2018, Eleanor Holmes and her husband left home to run an errand and found two men inside their front gate. They introduced themselves as detectives from Orlando, Florida, and said they needed the couple’s help.
This is Marina Abramović's first attempt to interact with the audience on the spot, allowing the audience to become part of her work. Guns, bullets, kitchen knives, whips and other dangerous items), the audience can use any item to do whatever they want to her. Due to the unpredictable danger of the work, Marina promised to take full responsibility for the performance of the performance art.
At a gallery within a shopping complex in the South Korean capital, a couple saw paint cans and brushes at their reach and use next to what was actually a finished portrait worth hundreds of thousands of dollars. Thinking the available paint and brushes was a signal to be a part of the art, they ended up technically vandalizing the artists' work.
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
We set up a gazebo and table in a public park. The gazebo had two notice boards in the shape of trees where reflections were encouraged. We had a sign with the name of the action "Fall in Love With Nature" painted upon it. On the table were resource lists for the public to take away with links to books and websites on the topic of forest bathing and connecting with nature.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.
Kyiv, Ukraine (CNN) — The leaders of Germany, France, the United Kingdom and Poland have told Russian leader Vladimir Putin to agree to a 30-day ceasefire starting on Monday or face possible “massive” sanctions, according to French President Emmanuel Macron, on a highly symbolic visit to Kyiv. The demand comes with the backing of the White House after a joint phone call with President Donald Trump, the Europeans said.
Student loan debt in the US today totals over 1.7 trillion dollars and is collectively borne by more than 44 million Americans, including artist kelli rae adams. With her installation Forever in Your Debt, adams converts this abstract burden into a tangible volume. She has crafted hundreds of wheel-thrown vessels, sized to collectively hold the average individual student debt —$37,000—in the form of coins.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
Matthew Connors spent much of 2012 in Lower Manhattan making portraits of the protesters in the Occupy Wall Street movement. But a chance encounter during the course of that project made him do a 180-degree turn after meeting some Egyptian activists who had participated in a different uprising: the Jan. 25 revolution that led to the ousting of President Hosni Mubarak. They convinced Mr.