Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
In the Fall of 2011, after the Occupy Movement was in full swing, and meetings, actions and info sharing had expanded beyond Zuccotti Park, meaningful messaging and outreach tactics were were activated on a near daily basis.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
A new exhibition at the Yerba Buena Center for the Arts that showcases activism through art and media in the San Francisco Bay Area, gets its name, Take This Hammer, from a 1963 documentary about the author James Baldwin as he went around San Francisco, talking to African-Americans about what it was like for them in the city.
Design4Peace is a collection of political posters created by Leslie Dwyer. Images speak to issues of war and peace, prisons, solidarity and movement, immigration, economy and class, violence against women, ecology, agriculture, racism, and gender. Leslie works with movement and educational organizations, such as Veterans for Peace and Teaching for Change to support their work visually.
Born in China in 1941, artist Lily Yeh experienced first-hand the ravages of that country’s civil war when her family became refugees, fleeing to Taiwan as the communists took over. That personal story and the story of Yeh’s global art activism with communities from North Philadelphia to Rwanda and China is the subject of a new documentary film, The Barefoot Artist, now in post-production and ready for viewing later this year.
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
On July 2nd, 2013, after attending the Gas Exporting Countries Forum (GECF) conference, Bolivian President Evo Morales departed Russia from Vnukovo Airport in Moscow aboard his presidential plane. However, a "leak" suggested that Edward Snowden was aboard, which led Spain, France, and Portugal to close their airspace to the aircraft, to then be grounded in Austria.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
A trio of far-right, pro-gun provocateurs is behind some of the largest Facebook groups calling for anti-quarantine protests around the country, offering the latest illustration that some seemingly organic demonstrations are being engineered by a network of conservative activists.
"What really makes us happy? How is happiness sustainable? Can we actually make ourselves happier? In this series, which has been featured on Fast Company, Huffington Post, and Upworthy, we took an experimental approach with real people to explore the theme of happiness.
The Science of Happiness is an emotional, heartfelt, and visually beautiful short-form documentary series about the one thing everyone wants —to be happy."
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
In Tunisia, a country gripped by economic uncertainty and still in the midst of rebuilding its identity after the Arab Spring, hip-hop culture is viewed as part of an ongoing dissident movement. Just a few events, such as the recent Mafia Wallitili Festival in the heart of downtown Tunis, offer the local hip-hop community an opportunity to share their values with the broader population.
During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
he recent movie “The Monuments Men” told the story of U.S. soldiers who were charged with recovering and protecting works of art stolen by the Nazis in World War II. A new documentary, “The Liberators,” is the story of a U.S. soldier who stole priceless art from a site in Germany and kept it with him in Texas until he died 35 years later.
Renowned Cuban artist Tania Bruguera surprised a Bogota audience in September when she lined up three people directly involved in the Colombian conflict for a chat. The real performance however, started when a waitress emerged with a tray of neatly organised lines of cocaine, and began offering them to members of the audience.
'White Walls Say Nothing’ is the first feature-length film of its kind to explore art and activism in the streets of Buenos Aires.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have barely known political or economic stability.