Projects tagged "East Asia"

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“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.

Beijing-based artist Liu Yi is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects — men and women, young and old, smiling and pensive — have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule.

In 2017 Ge Yulu became a national sensation in China. That year, he submitted his final project as a student at the Central Academy of Fine Arts in Beijing, revealing the unnamed road in Beijing that he had claimed in 2014 as his own. Because the Lu character in his name means road, he erected a sign for Geyu Road that blended seamlessly into the setting.

In November 2013, a group of 17 female students at Beijing Foreign Studies University sparked national debate when they staged a bold social media campaign in support of an upcoming performance of The Vagina Monologues, a feminist play by Eve Ensler.

In this black-and-white image, there are no strands of hair or remnants of makeup to be found, except a shaved head belonging to a South Korean. Jeon photographed this image in 2019 for her exhibition that aimed to "destroy the socially defined idea of a woman” (Kuhn 1). The visuals in this image is a brazen response to the conventional beauty standards that has been gripping South Korean women.

A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.

The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man. Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.

Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.

From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.

Thousands of ethnic Mongolians have protested across northern China in opposition to Beijing plans to replace the Mongolian language with Chinese in some school subjects.

In her 2021 graduation project from the Central Academy of Fine Arts (CAFA), Chinese performance artist Zou Yaqi staged a provocative social experiment titled “21-Day Survival Challenge.” For three weeks, Zou assumed the persona of a wealthy socialite, using counterfeit luxury items, strategic self-presentation, and social engineering to access elite spaces in Beijing—such as five-star hotel lobbies, first-class airport lounges, and high-end restaurants