The Nanjing Yangtze River Bridge, completed in 1968, is one of China’s most iconic infrastructural projects and a potent symbol of national pride. Spanning over 6,700 meters across the Yangtze River, it was the first double-decked road-rail truss bridge designed and built entirely by Chinese engineers, without foreign assistance, during a time of intense geopolitical isolation.
On Feb 17, 2020, the official account of The Central Committee of the Communist Youth League on Weibo announced the launch of its virtual idols "Hongqiman" and "Jiangshanjiao", and set up a new official microblog, and called on people to "come and support the League Idols".
On February 19, 2012, the Chinese young feminism leaders, included Maizi Li and Churan Zheng, initiated an activity, "Occupy the Men Bathroom." The protesters occupied the male public restroom and invited the women waiting for the women restroom to use the male one.
Beijing-based artist Liu Yi is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects — men and women, young and old, smiling and pensive — have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule.
The face of Hong Kong’s chief executive Carrie Lam is falling apart: an eyeball has fallen out of its socket and the flesh of her left chin has been ripped off. Black-clad protesters in yellow hard hats are standing on top of her head, hanging a banner with ‘Hong Kong add oil’ on her forehead and shouting into her ear with a megaphone.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
On a recent eight-hour shift at a McDonald’s in Hong Kong, Luke Ching, 52, wiped tables, cleared trays of half-eaten fries, emptied cups of soda and milk tea and lugged bulging trash bags to the dumpster.
For him, the main goal of the part-time work was not making ends meet. It was research for his main pursuit: using art to advocate for better treatment of people in menial jobs in a city with one of the widest income gaps in the world.
Beijing and the rest of cities in northern China suffer from years of smog pollution.The beige-gray miasma of smog brings coughs and rasping. Hospitals are crowded from respiratory ailments and a midday sky is so dim. But “Brother Nut(坚果兄弟)“, a performance artist, has something solid to show from the acrid soup in the air: a brick of condensed pollution.
Shouting is one of Xu Zhen’s early works questioning the limits of individual expression. First exhibited at the 51st Venice Biennale in 2005, the video shows Xu hiding in crowds and performing a series of loud screams in Shanghai.
From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.
Sixth Tone - "A group of women trying to raise awareness of LGBT rights by advertising their single, gay sons and daughters at Shanghai’s “marriage market” were forced to disperse after a heated confrontation with other parents and security personnel.The so-called “marriage market” at Shanghai’s centrally located People’s Park draws a large crowd of parents who post signs each weekend describing their children in an effort to find a suitable partne
The Guardian
By Tania Branigan
In the opaque world of Chinese censorship, a few red lines shine through the murk. One of the clearest is: no gossip about top political leaders, their families or internal party affairs.
The rise of rock and roll in the late 1980 was largely associated with the student movements taking place at the same time. Cui Jian, considered by many to be the godfather of Chinese rock, even performed for the students on hunger strike in Tiananmen Square in 1989.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
Imagine for a brief moment, that the world’s last five remaining communist countries decided to unite forces and hire the world’s top advertising agencies to re-brand and create a resurgence in the ideologies of Communism?
On February 14, 2012, three female college student volunteers wore blood-stained wedding dresses and appeared as "wounded brides" in Beijing Qianmen Pedestrian Street.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.”
But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried.
“People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.
Lu Yang attempts to bring the negative notion of Cancer cell into a “Kimo Kawa” object of love and/or pain and hopes to open a dialogue that brings awareness to the acceptance and tolerance of living with cancer cells.
As the summer warms up, bringing with it sleeveless tops, Xiao Meili, a women’s rights advocate, is collecting photos of women’s armpits. Her goal: to challenge a growing belief in China that a woman must have hair-free armpits to be attractive.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.